Lúcia Pires

The daily life of the residents of the "Terraços do Glamour" condominium, on the outskirts of Lisbon, highlights their problems with defective apartments and spoiled facilities due to the developer's false promises.

A look back at the history of Brancusi's futuristic golden bronze phallus "Princess X" that is in fact a bust of Napoleon's incredible great-niece, Marie Bonaparte.

With no career expectations, a temperamental young woman gave in to a job as a maid in a hotel. Makes the beds, replaces the towels, replaces the soaps. One day she discovers a suitcase left behind by a whimsical French tourist, inside which she finds a lime green canary, a natural yogurt and a five hundred euro envelope.

Alice decides to move to Berlin, and Ema, her roommate, organizes her a farewell dinner, “The Useless”.

Matilde’s mother leaves the six years old girl with her grandmother and her sixteen years old cousin. As the night approaches Matilde faces for the first time the weight of acting of her own will.

Suddenly a mysterious woman appears in the West of Portugal. Everybody had seen her, but no one knew her. Mother, fairy, angel, owner of a wine business? Lúcia Pires’s (Fauna, 2018) film questions confabulation and existence without a proof.