Nicolás Grandi

Clem follows the life of a young teenager, Clémentine, who becomes a mother at the age of sixteen, at the centre of tensions between her parents and Julien, the father of her child Valentin. It deals with the problems of teenage life and that of a mother with a strong personality.

On May 5, 1976, writer Haroldo Conti was kidnapped by the military dictatorship, which had taken over Argentina that same year. Two weeks later, the newly elected de facto president, Jorge Rafael Videla, invited several figures of national culture to a private luncheon at the Government House: Jorge Luis Borges, Ernesto Sábato, Horacio Ratti, Father Castellani, and the President's General, General Villarreal. The film narrates the historic event shared by these figures during one of the most disastrous moments in our history.

The path of a man to restart his life after a personal tragedy that leads him to leave the city and move to an inhospitable place that allows him to be reborn.

A series of video letters composed between Nicolás Grandi in Buenos Aires and Priya Sen in New Delhi, artists and collaborators since 2011.

Eric (the only protagonist) flees from outside stalking and returns to his refuge, where he believes he finds safety and appeasement of fear. But there he will face his own fears, perpetual jailers, which hinder his development and increase his cowardice towards life.

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The Poetics of Fragility is a narrative and optical exploration of the texture, vitality and aesthetics of fragility that interweaves story, poetry and critical inquiry to reclaim fragility as intrinsic to nature and human existence, not merely something to be bemoaned or overcome.

The Nocturnes were made in context of the Cross Pollination Lab of the Peaking Duck Arts Network, an interdisciplinary group active in Bangalore, 2012-2013.

De Sidere 7 is an experimental work that interweaves performance, dance, poetry, storytelling and text to reflect upon aspects of desire. Shot in Bangalore and Delhi, the film scripts the work of five performing artists into a sensorially rich meditation on desire’s vexed status as at once, animating force, object of suspicion and ground of contention. De Sidere 7 is conceived as a videocontemplation: a formally plural, multilayered composition intended to be experienced as an integrated whole. The artist book plays with image, frame, text, process notes & artist-critic responses to stage an encounter with the film in print duration.