Sarah Palmer

She wants an IUD and a baby: a mix-up at the gynecologist's appointment is the beginning of a nightmare come true for Lola, a young woman in her late forties: she is the frontwoman of a Berlin rock band and has not the slightest interest in a serious relationship, let alone a baby. But then, at Dr. Mertens' gynaecological practice, the fertilized egg of her daughter Marie, with whom she has had no contact for years, is accidentally implanted.

Liam spends his days drinking with friends and racing his motorbike across the roads of his Welsh coastal town. He helps run a failing caravan park with his father, Glenn, who clings to the belief that prosperity will soon return. When an insurance inspector reveals the land they own is worthless as a result of rising sea levels, Liam must convince his father to abandon his lifelong home. Their conflict over control of the park leads to desperate measures.

Two power-line repair men work across rural areas of the UK in peace. When one returns from a family bereavement, the quiet working relationship they both had is put under pressure.

When a furniture repairer on a restoration tv show is tasked with fixing a chair for a strange brother and sister, the job may cost more than just her time.

King Loser’s first of fifteen drummers summarizes their stunningly explosive (and implosive) qualities midway through this unflinching yet affectionate portrait of the legendary 90s band. Driven by the “C&C Music Factory”— Chris Heazlewood and Celia Mancini—King Loser blended surf, lounge, psych and noise into a singular, swampy sound. A cyclone of chutzpah, cigarettes and impeccable fashion sense, the larger-than-life Mancini epitomised a notorious band that collapsed too soon but left a mark on all who encountered them—either at their transcendent best or catastrophic worst