Production
Located in the downtown area of Nagoya, this 60-year-old, bath and toilet co-op accommodation is a room with no room, "Makanai-sō".
Taeko and her husband, Jirō, are living a peaceful existence with her young son, Keita, when a tragic accident brings the boy's long-lost father, Park, back into her life. To cope with the pain and guilt, Taeko throws herself into helping this deaf and homeless man.
Kazumichi Tsuji is a bored office worker in questionable relationships with two women at work. One day he meets the intriguing Ukiyo Hayama at a convenience store. However, having her in his life brings nothing but trouble.
Watako has just lost her lover, Kimura, in a traffic accident in Tokyo. She decides to bury the trauma of this tragedy and carries on with her life with her husband. Although she puts on a facade for a while, the loss of Kimura has left deep marks, and she can't escape his memory any longer. She must now confront her grief.
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Kasumi doesn't know what love is and she doesn't have any feeling of romance. Due to her sister's marriage, her mother arranged a formal marriage arrangement without her permission. At the meeting, she met a man who is just seeking a friend.
Yumi (Mai Kiryu), studying design at university, is dating Naoya (Kisetsu Fujiwara), a member of the theatre society, when one day she learns that she's pregnant. She tells Naoya, who dreams of owning his own theatre company in the future. The more they face reality, the more they seem to be at odds with one another...
Daiki, who works part-time as a bartender at joshidaikoji (meaning Women's college alley), discovers a junior high school student in cardiopulmonary arrest in a park while wearing a cosplay costume. Since it was three days after the dead body of a junior high school student was found at the same place, Daiki is brought in by the police as a suspect in a serial murder case. His sister Mio, who works at a club in Yanagase, saves him from this predicament. The two sisters always quarrel whenever they meet, but in order to prove their brother's innocence, they pursue the real culprit in the case.
There's a reason single dad Sorada always wears a school uniform and attends high school part-time. When he was a high school student, he suffered from a serious illness and couldn't go to school, so he spent most of his youth in a hospital room. In adulthood, after overcoming the illness, he marries a childhood friend, a single mother, and they have a 10-year-old daughter. However, although he is happy, he is alone with his daughter and without his wife. He decides to enroll in the school system part-time, which was also the wish of his late wife.
A young couple is devastated when their son is killed by a falling tree during a windstorm. As the distraught father begins to look for answers into his son’s death, what appears to be a tragic accident turns out to have been the result of multiple blunders by multiple people.
Keiko Tsuruoka’s film is at once traditional and contemporary: it gently mixes present-day gender and sexuality politics with the old-fashioned Japanese domestic drama. Traditional lacquerwork kitchenware is the Aoki family’s legacy, handed down to patriarch Seishiro (Kaoru Kobayashi) by his now-ailing father (Masayuki Suzuki). Seishiro expects to pass it in turn to his son Yu (Ryota Bando), but Yu has no interest in the craft—quite unlike daughter Miyako (Mayu Hotta), who loves it dearly. The stage is set for conflict, as established cultural traditions collide with modern mores…
