Ángeles González-Sinde

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

A youth group is preparing for what will be the summer of their life, including secrets, lies, sex, confusion, evenings and holidays.

As Helena gains the trust and love of a dangerous heroin cartel leader in Barcelona, she develops the skills she needs to eventually seize his empire.

The fascinating life of Miguel Bosé: an artist whose passion and unique personality were destined to break the mold in a Spain on the verge of change.

When Elena finds a hotel bill in her husband’s pocket, she begins to suspect that he’s having an affair — but not that it’s with a man.

In the 1980's, Pilar, an ordinary woman, married, about forty years, discovers that one of their three children are addicted to heroin. After an initial period of uncertainty, Pilar contact with other parents in similar situations who come to a precarious Civic Center helps the addict, but soon realizes that many things have to change in and out of home so your child can be saved. Thus was born the desire to do more than complain and starts along with other parents, but especially mothers, an arduous journey of withdrawal of drug trafficking in Galicia.

On March 12, 1956, Basque Nationalist Jesús de Galíndez Suarez disappears from his apartment in New York, never heard from again. He had been working with the FBI and was about to publish a book critical of Dominican strongman, Trujillo. In 1988, a graduate student, Muriel Colber, wants to make Galíndez the subject of her dissertation. She's in Spain doing research; finding little, she goes to Santo Domingo. At every turn, the CIA, in the person of agent Robards, tries to thwart her; and, at each turn, as she considers abandoning the project, someone offers new information, often contradictory. She wants the truth behind the Galíndez mystery; will she find it?

Juan and Gloria, divorced and estranged for 20 years, must travel from Buenos Aires to Spain upon receiving the news that Kim, their daughter with whom they lost contact long ago, has been found dead. Upon arrival, they discover that the deceased has left behind a grandson whose whereabouts are unknown, a discovery that compels them to stay in Spain to find him.

Rafael, a lonely 40-something butcher, saves a pregnant Marina from an assault by her boyfriend Daniel. Rafael agrees to take Marina in and they happily raise the child together. Years later, Daniel re-enters their lives and turns them upside down.

Carmen, a well-known writer on her fifties, has returned a year ago to a farmhouse in the small town where she was born, in Bajo Aragón (Teruel, Spain). Her vital crisis is complicated when Eduardo, a film producer with whom she had a love affair twenty years ago reappears in her life.

Carmen leaves her husband Julio to go live with an intellectual who has made a career in the United States. While, Julio goes away to live of rent to house of an aristocrat come to less. After meeting several colorful characters, Julio decides to recover Carmen.

A Spanish writer finds an old coffer with photographs of an Argentine man who fought and died in the Spanish Civil War, and of a woman. Her quest for answers brings Vera to the Argentine Patagonia.

No description available.

Icíar and Fernando are young. They are both going through the most traumatic experience of their short lives: the loss of a parent. But Fernando and Icíar can neither share the pain nor the strategies for dealing with it. They live in different times. Fernando in 1977 in Bilbao faces the kidnapping of his father by ETA. Icíar in 2011 in Navarra faces her mother's fulminating cancer.

Two strangers flee from their past and settle in an urbanization on the Cádiz coast. There, hundreds of kilometers from Madrid, they try to rebuild their lives, even though the memories are still very strong.

Santiago, Marta and Carlos meet once a month to eat together, always in the same restaurant. They have known each other since university, more than 15 years ago. Then they shared many dreams and illusions, but over the years each has followed his own path. In one of those meals, Carlos borrows four million pesetas from Santiago and another four from Marta because his computer company has problems with a project they are developing. Months go by and Carlos can't get their money back. Santiago and Marta assure him that it does not matter, but in reality their lives have changed since that meal.

Spain. The Basque Country. Sometime in the 90s. Josu Jon, a young member of a terrorist organization, has suffered an almost complete memory loss after being wounded in a shooting with the Spanish police. As he awaits for his trial, his condition is being treated at the prison hospital. Other inmates belonging to the same organization try to make him remember how brave a "gudari" -a Basque soldier- he is and how he must go back to the armed fight for the independence of their country as soon as he gets out of prison. Meanwhile, Xabier, a college professor who has been death-threatened by the terrorists due to his political views on the Basque situation, is having an affair with Francesca, a young psychologist who happens to end up trying to help Josu Jon recover his memory. A warm feeling of mutual affection grows between her and her patient. At a point, it doesn't seem to be clear whether Josu Jon really wants to recover his memory or rather forget forever who he actually is.

No description available.

Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.

Reflections on Spanish cinema, based on seventy interviews with prominent filmmakers, analyzing their work and addressing their views on various general topics such as the industry and the evolution of Spanish cinema, as well as current issues such as the arrival of digital platforms.