Víctor Ramírez

Film director Juan Bravo is in a deep, existential funk: his latest film has been vilified by critics, and his friends, relatives and even business associates are wasting no time in badmouthing him. He seeks refuge in the city of Oviedo, Asturias, wandering the empty streets at night, going to parties that are veritable circuses full of wannabes, and attending concerts and religious and traditional ceremonies as he seeks inspiration for his next film. He reminisces about his childhood but, most importantly, that strange woman who asked him to visit her at her apartment at precisely 10 p.m., not one minute more, nor one minute less.

Miguel and Verónica meet in a plane and lie to each other about their true self: she tells him she's a secretary while she actually is the billionaire niece of a duchess, and he tells her he's a trumpet player while he is a Teutonic king. Eventually they fall in love, without knowing about each other's true identity, all of this while Miguel is being urged by his ministers to choose a wife of royal blood and get married as soon as possible, and a revolutionary group, one of which members is Verónica's brother, plans a terrorist attack against the king.

Mortadelo (Mort) and Filemón (Phil) are visited by Professor Chiflágoras, Filemón's crazy cousin, who has invented a time travel machine in the shape of a closet. (Seven animated shorts with a common narrative: The Time Closet; In Waterloo; The Yeti; Incredible Mission; The Impostors; Count Macula; Maxi-adventure at Sea.)

Four friends decide to bid farewell to their late drinking buddy, taking him in his coffin on a last walk through the homes of their acquaintances. But things get complicated as they have all gotten drunk.