Acting
When a power vacuum opens up in Tsarist Russia, a ruthlessly ambitious prince conspires with the Streltsy militia and the schismatic Old Believers to usurp the throne. Based on real life events surrounding the Moscow Uprising of 1682, Mussorgsky’s political thriller is a powerful portrayal of a country in crisis. This 2015 production by Moscow State Stanislavsky Music Theatre uses Shostakovich's orchestration with a finale by Vladimir Kobekin.
Francesco Cilea's Adriana Lecouvreur was inspired by the real-life story of a celebrated actress at the Comédie-Française who was much admired by Voltaire. Hailed as a masterpiece, the opera was triumphantly staged in cities around the world after its premiere in 1902. The dramatically effective narrative is a passionate love triangle filled with intrigue and complicated plot twists set in the gallant 18th century. Its subtle ironies and gorgeous cantabile style of music provide a perfect vehicle for the star cast in this stunning production from the Teatro del Maggio Musicale Fiorentino.
As the fates of a spirited young woman, her fiancé and their idealistic friend intertwine during the Napoleonian invasion, their lives - like every Russian’s - are about to change forever. Based on Leo Tolstoy’s epic novel, Prokofiev’s opera portrays the tribulations of Russian society as Napoleon’s armies edge closer to the country’s borders. Monumental in scale, his production has a cast of over 400 with 70 principal singers and a massive chorus on stage.
Enamoured with an unknown lady, a young soldier discovers that her grandmother holds a secret to win at cards. Although his beloved requites his love, happiness slips out of reach when his obsession with the powerful secret drives him to madness. Set in imperial Russia, Tchaikovsky’s late brooding thriller about a fanatic gambler is a tour de force of stirring melancholy, consuming passion and grand sweeping orchestration. If the opera saw the light of day thanks to his brother, the librettist Modest Tchaikovsky, The Queen of Spades soon became Pyotr I. Tchaikovsky’s personal obsession: composed in only 44 days, he considered it a masterpiece.
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