Clio Barnard

London widow Cora Seaborne moves to Essex to investigate reports of a mythical serpent. She forms a surprising bond of science and skepticism with the local vicar—but when tragedy strikes, locals accuse her of attracting the creature.

A hyperactive boy and his best friend, a slow-witted youth with an affinity for horses, start collecting scrap metal for a shady dealer.

Childhood friends Patrick, Shiv, Rian, Oli, and Conor played together, skipped school together, and dreamt of the lives they would have one day. Now they’re thirty, and the future they imagined is slipping quietly out of reach.

After her father dies, a young woman returns to her Yorkshire village for the first time in 15 years to claim the family farm she believes is hers.

The lives of the late Bradford playwright Andrea Dunbar and Lorraine, one of her daughters, and the community of Bradford, in the 30 years since the 18-year-old Andrea penned a play about growing up in the community titled "The Arbor".

Sparks fly after Ali and Ava meet through their shared affection for Sofia, the child of Ali’s tenants whom Ava teaches. Ali finds comfort in Ava’s warmth and kindness while Ava finds Ali’s complexity and humour irresistible. As the pair begin to form a deep connection they have to find a way to keep their newfound passion from being overshadowed by the stresses and struggles of their separate lives and histories.​

Random Acts of Intimacy is a film about brief moments of contact and sexual intimacy. It addresses notions of erotic memory, sexual fantasy, sexual desire and romantic love. It explores the possibility that sex with strangers might be the closest we get to realising current notions of romantic love - intense, passionate, impulsive.

Bedlam involves an imaginary meeting between two literary characters, Bertha Mason from Charlotte Bronte’s Jane Eyre and Antoinette Cosway from Jean Rhys’ Wide Sargasso Sea. In Bedlam, Bertha and Antoinette are confined and policed in a place where their experiences have been reduced to types of illness easily disposable in the field of curing.

A psychological micro-drama that moves from the sanctuary of a domestic garden to the half-remembered shadows of a house, Clio Barnard’s Dark Glass peers back into a semi-veiled interior world of fraught, ambivalent memories. Shot on a mobile phone camera to accentuate a feeling of intimacy and immediacy, the flickering nature of the footage also emphasises the film’s uncanny, otherworldly quality.

A film/video installation centered on a 'buggy race', an illegal pony and trap race organised by gypsies on a motorway. The film plays with documentary and cinematic forms to address notions of artificiality and representations of the real.

Director Clio Barnard, using Harry and Paintbox techniques, intercut with a Hi-8 video diary, presents a non-narrative collage addressing sexual difference and artifice, both imagined and real.

This is a home-movie horror film. Its heroine, Stretch, adopts a severed head as her companion and hijacks her own story to investigate it for herself and for her audience.