Ciarán O'Reilly

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

The exploits of a group of men and women who serve the City of New York as police officers, firemen, and paramedics, all working the same fictional 55th precinct during the 3pm to 11pm shift - the 'Third Watch'.

The mobster husbands of three 1978 Hell's Kitchen housewives are sent to prison by the FBI. Left with little but a sharp ax to grind, the ladies take the Irish mafia's matters into their own hands — proving unexpectedly adept at everything from running the rackets to taking out the competition… literally.

Frankie McGuire, one of the IRA's deadliest assassins, draws an American family into the crossfire of terrorism. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O'Meara, a New York cop who knows nothing about Frankie's real identity. Their surprising friendship, and Tom's growing suspicions, forces Frankie to choose between the promise of peace or a lifetime of murder.

Endgame tells the story of Hamm, who is reduced to living in one room, in which he sits blind and chair-bound. His only escape from his solitary world is the company of his aging, legless parents, who live in garbage bins, and his shuffling servant, Clov, who is at his beck and call, and who, like a dog, comes when whistled for. The only thing left for Hamm is to wait for the inevitable end. A pinnacle of Beckett’s characteristic raw minimalism, Endgame is a pure and devastating distillation of the human essence in the face of approaching death. “Nothing is funnier than unhappiness” invokes Nell, which summarizes the tragicomic nature of this timeless play.

In this heartwarming holiday musical, the Smith family grapples with life changes and new love in a bustling St. Louis on the brink of the 1904 World’s Fair. This special digital adaption from Charlotte Moore (Anna Smith in the original Broadway cast) will include favorite tunes, including “The Trolley Song,” “The Boy Next Door,” and “Have Yourself a Merry Little Christmas,” along with the romantic suitors, comedic misunderstandings, and jovial pranks that make this classic musical a holiday treat for families of all ages, no matter where you’re celebrating this year. This new digital production, filmed and edited remotely amidst the COVID-19 pandemic, is an abridged version of the Broadway musical Meet Me in St. Louis (1989), based on the 1944 film of the same name starring Judy Garland. Irish Repertory Theatre last presented Meet Me in St. Louis in 2007.

Mickey Reilly an Irish Traveller living in America returns from prison and tries to win back his wife Sarah after a life of trouble and abuse together.