Camille Degeye
Directing
Biography
Camille Degeye is born in 1990 in France. She lives and works in Paris. She’s graduated from a professional master in cinematographic creation and she’s a member of Etna and L’Abominable, both artists collectives where she developed her practice of artisanal filmmaking. Camille's cinema focuses on the switch between narrative and dreamlike, surrendering to reality in often ghostly and obscure dimensions. Her work on film contributes to highlighting this fragility, in a quest for a collective and political memory. In 2022, Camille Degeye joined the collective La Clef Revival which - through the fight to save the cinema La Clef in Paris - fights for the programming and the production of a free, an independent and an outsider cinema.
Known For
Thomas, a Swiss-German musician, is stuck at home because of a broken foot. He wanders around his tiny Parisian flat, his leg in a plaster, busy composing a new piece. At sunrise, an unexpected female visitor is showing up for him at the door.
Journey Through a Body
No description available.
Adomination
A man awakes in the desert. As he walks towards the nearest town, he realises mankind has disappeared. Forsaken by the flood, he utters the remains of a ravaged memory like an amnesic chronicler adrift. When the memory of an old love re-enters his mind, the past begins to resurface.
The Forsaken
A young woman crosses a confined provincial town and its outskirts. Once at her destination, a strange mourning protocol awaits her.
Almost a Kiss
One night, as the storm rumbles, a young man dreams of his lost love.
Lightnings
Two night owls meet during a summer evening in Paris. Victims of loneliness and melancholy, they roam the time of a few nights.
Twenty years old for only luggage
On the one hand, the stories of Simon Johannin, raw and tender, dirty and sensitive, stemming from the asphalt, from a chaotic feeling of everyday life, from a certain youth. On the other, the performance techno of Jardin, autotuned, ambient, or projected into a wall of noise. In this performance Simon Johannin unfolds the monologue of a man talking to himself to cling to reason.