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Even before the pandemic, there were almost 24,000 homeless people in the Czech Republic. In the following months, many more Czechs faced housing crisis due to the increase in the unemployment rate. Filip, a social work student from Prague experiences their reality first hand. The protagonist of a video journal was shooting in the streets of Ústí nad Labem. In the hot summer days, his existence shrank to finding a mere place to sleep and a meal to eat. Growing tiredness and apathy are temporarily brightened by joyful moments of human solidarity and warm meals. In such circumstances, things like that are not at all common; they represent a means of survival.
How we look is often not just our personal choice. What we should look like plays a role as well. Society likes to know who is a woman and who is a man. The ideal woman is thin and shaven, while men do not depilate their legs.
In her feature-length debut, Marie-Magdalena Kochová uses the character of eighteen-year-old Johanna to explore the phenomenon of “glass children” – children who, because they have a special-needs sibling, are neglected by their family, however unintentionally. They often feel invisible, their problems are always considered less important, and they are often expected to help take care of their disabled brother or sister. Johana is about to graduate from high school, and so she must decide whether to leave home to study, or stay and help her parents. An immensely sensitive account of the nature of sibling love which, for once, puts “the other one” first. Anna Kořínek (kviff.com)
Nearly one in ten Czechs over the age of 15 face some form of distraint, under which their property is seized because of money they owe. Every day, more and more people fall into the debt trap, but Karel is on the other side of the barricade – it is his job to collect their debts.
A vineyard knight, wandering gardener, chef behind the window, natural craftsman and flower teacher. Dreams, Hard work and Pandemic is a portrait of five young entrepreneurs who live their dream and fulfill it with work. Together with them, we will see how to consume locally, think sustainably and at the same time how to be an inspiration to others.
The film poem about pesticides reflects on the return to the natural food chain, in which insect pest serve as food for the higher order. The harmonic cycle of life and death, the temple that is the wildflower field resounding with the inebriating sound of crickets chirping and wheat spikes rustling in the wind, is invaded by the human, the ultimate consumer with no natural predator.
