Vitalii Sheremetiev

Hanging out with friends, smoking a lot, spinning bottles and kissing, making mistakes, playing, refusing to accept, dreaming with open eyes - life as a teenager can be overwhelmingly beautiful and difficult at the same time. In her debut, the Ukrainian director composes a deeply emotional and multi-layered portrait of a generation whilst seamlessly flowing between the fictional and the documental.

Erik is convinced he has a stone for a heart. That’s why he doesn’t mind that his parents have no time for him, or that he is bullied at school, or that he has no real friends. When his family moves to a villa they inherited, he is confronted by Maria whom Erik's parents want to kick out along with her father. Maria refuses to move and promises to make Erik's life a living hell. As a last attempt to defeat Erik, Maria goes to look for her mother who disappeared two years ago. Together they end up on a fantastical journey to the In-Between-World and Erik learns how hard it really is to wear a heart of stone.

In a cheap brothel at the foothills of an Athenian fortress, a man recounts the magnificent events of his life. His search for love and glory is retold and relived by many: a prostitute with an unredeemable past, a gangster haunted by bad luck, an icon painter who has no faith - In one of the stories, the man finds his riches, in another he becomes a vagabond prophet, in yet another he returns home to his wife. Memories betray him, but he knows for sure that in one of these lives, he will be killed.

A raw portrait of a group of rebellious youth thrust into adulthood too soon, navigating the wreckage of the Soviet regime set in the late 1990s in Kyiv.

In a Russian-occupied town in southeastern Ukraine, where burying the dead has been forbidden, the church of a young priest, Andriy, has been turned into a morgue for executed Ukrainian civilians. As the occupation tightens its grip, Andriy quietly begins to resist, secretly returning the bodies to their families at great personal risk. Along the way, he forms an unexpected bond with Makarov, an 11-year-old boy who becomes the silent witness to his rebellion.

Living in war-torn Eastern Ukraine Anna is an aging single mother who is desperate for a change. Lured by a radio advertisement, she goes to party with a group of American men who are touring the country, searching for love.

This 7 episode documentary is about the collapse of the USSR and the part Ukrainians took in it. The series brings the Ukrainian perspective into the global narrative for the first time, along with recently unclassified details from the CIA and KGB archives.

The kaleidoscope of stories shines a light on Ukrainians bravely defending their land against the Russian invasion, where millions struggle for their right to exist. A compendium of short films, this is highlights the full tragedy that followed the Russian invasion of Ukraine in February 2022. It charts the course of the Russian progression across the country through the lives and communities of those affected by the wide-scale aggression, alongside those fighting for their land. The film details the force of the assault, but its primary focus lies with the strength of the communities that have had to endure unimaginable hardships but who remain resilient in the face of such oppression. It joins an increasing number of ground-level films documenting the reality of this modern tragedy. Initially, the film did not contain an indication of the directors and cinematography team, which was indicated as a team of authors of "KINODOPOMOHA".

Crocodile is a game for a big company. The host shows a word only with the gestures. The one, who guesses it, chooses the next one to lead the game. Anya comes up with a difficult word for Lisa. This New Year Eve turns into a test of their friendship.

Kaunas, Lithuania, 1941, Lithuanian activist Andrius Gluosnis kills a Jew Isaac in Lietukio garage massacre. Years after the incident Gluosnis is haunted by the guilt.

The protagonist researcher Dmytro Gromov and the cameraman Angel Angelov are embarking on a dangerous mission: both are planning to cross about 50 km of inhospitable desert in order to illegally enter the protected hangars of Baikonur and watch the launch of the rocket. The heat of the desert reaches almost 47 degrees Celsius. Dehydration, starvation, physical and psychological exhaustion are not the only difficulties on their way to Baikonur. The guys are risking to be arrested and put in jail if they will be spotted by the Russian military forces, since the Cosmodrome is under the legislation of Russian Federation. In such unfavorable circumstances, the protagonist is discovering his own personality traits that he was not aware of before: in vulnerability and fear, he is now inclined to quit his endeavor altogether. The adrenaline of discovery finally overtakes the fear of getting caught. The investigation of the classified object turns into the exploration of the self.

Marta, the film's director, faces her fears and digs into the realm of her estranged sister Nastia, a Greek-Catholic nun, to re-evaluate the world they both were brought up in.

Once upon a time in the dressing room of the famous Dakh theatre in Kyiv, seven actresses came up with the Dakh Daughters project. At their first solo show, Roses, they presented the world with a contemporary interpretation of the art of cabaret, which, in its absolute carnival freedom, knows how to entertain the public with the most serious topics. At the same time, Ukraine found itself on the threshold of significant change, not just in society, but also in the consciousnesses of thousands of people. The Revolution of Dignity and the war in the East reveal the nuances of the protagonists’ personalities, worldviews, creative reflections.

Yesterday's serviceman Serhii stepping into the new life of a civilian that morning had already lost pace by lunchtime. The transition no longer seems like a walk to him, the day is coming to an end, but a new life still does not begin.

An easy comedy-trip, an ironic essay about child’s view of life. This is enough a funny world, where the main character schoolgirl Svetka notices things that others do not pay attention to.

A documentary film about the outstanding Ukrainian poet and philosopher Hryhorii Skovoroda. The film contains restoration staged episodes and interviews with experts. The film has four story-lines: the first is a journey of two Mohilian students Marichka and Bohdan to places associated with the philosopher; the second consisted of a series of conversations with leading Ukrainian intellectuals, researchers of the thinker's heritage, musicians, artists, artists; the third is Ukrainian nature, picturesque landscapes that were of great importance for the philosopher; the fourth was war. The tricentenary of Skovoroda fell at the time of full-scale Russian aggression.