Louis Arbessier

The Arkadians are a civilization that survived a great cataclysm and moved to the center of the earth, thriving under the power of their artificial sun, The Tehra, until one day it began to fail. In desperation, the Arkadians broke the ancient law and entered the Forbidden Archives to search for an answer. They used their special powers and created a messenger to the people above, naming her Arkana. She meets up with Matt and Rebecca, two ordinary kids from the surface world, Bic and Bac, two strange anteaters from Arkadia, and Spartakus, a mysterious warrior. Together they search the worlds of the strata for a way to save a people and possibly the world.

Arsène Lupin is a French TV show which was co-produced with German, Canadian, Belgian, Dutch, Swiss, Italian and Austrian TV stations. It was only loosely based on Maurice Leblancs novels. Georges Descrières' portrayal of Arsène Lupin showed more similarity to Graf Yoster than to Maurice Leblanc's original. He behaved in the first place as a perfect gentleman who never got angry. He was always relaxed, because whatever could possibly had bothered him in daily life was taken care of by his butler. It wasn't questioned how he had come to his financial independence although the series sometimes discreetly implied that he was a professional criminal. Besides rescuing damsels in distress Lupin took on criminals, competing with their wit and intelligence. Either he stole paintings from rich people who had to be considered white-collar criminals or he acted as a detective who derailed criminal schemes. However, when he was attacked, he could defend himself effortlessly by using elegant jujutsu methods. Among the guest stars were German actors such as Günter Strack and Sky du Mont. Jean-Paul Salomé said in his commentary on the DVD version of his film Arsène Lupin he had like this series as a child. German TV, one the investors, would broadcast the show eventually between 18:00-20:00 o'clock because it was only allowed to show commercials within that very timeslot. For them to get a financial return on investment the show had to be appropriate for families and also for children who would watch it alone. Subsequently it was nearby to ask to defuse and flatten some of Leblanc's plots in order to avoid possible complaints that could force the station to broadcast the show beyond the "Vorabendprogramm".

Ulysses and his crew struggle against the divine entities that rule the universe, the ancient gods from Greek mythology.

When Emir Feofar Khan, leader of the Tartar hordes, takes up arms and invades the steppes of Eastern Siberia, Czar Alexander II of Russia entrusts the brave officer Michael Strogoff with a dangerous mission.

Six months before his retirement from the criminal police, inspector Joss finds his colleague Gouvion dead, in a poorly faked suicide attempt. Joss loses his temper, and investigates on his own, which leads him through the bas-fond of Paris...

L’Agence O is a famous Parisian private detective firm. Its premises are located in the Passage Choiseul. In front, Torrence leads the shop. In fact, the agency's team is complemented by Émilie le Roux, Mademoiselle Berthe and Barbet, who scrutinize clients through a one-way mirror located behind the desk. Getting hold of a man disguised as an old lady, solving the mystery of the Prisoner of Lagny or discovering who is blackmailing the painter Tigrane Alban does not worry the experts at the O Agency. Les Dossiers de l’Agence O is a French-Canadian television series in thirteen episodes of approximately 55 minutes created by Marc Simenon and broadcast first in Quebec from December 14, 1967 to March 13, 1968 on Télévision de Radio-Canada, then in France from March 11 to June 3, 1968 on the first channel of the ORTF.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

A cold-war spy parody. After the death of an armaments manufacturer, an international group of spies is drawn into a high-stakes battle of wits to obtain the valuable military patents which have been inherited by the lovely widow.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

As Dominique Marceau is being tried for the murder of Gilbert Tellier, accounts by different witnesses paint a picture of the kind of relationship the two used to share.

Marguerite de Valois, daughter of Catherine de Médicis, celebrates her wedding with Henri de Navarre. Officially, it's a rapprochement between the League and the Huguenots. In fact, it was an opportunity to bring all the Huguenots to Paris and kill them all at once. King Charles IX fails in his attempt on Coligny's life. Queen Margot tries to save her husband from the St. Bartholomew's Day massacre by preventing the annulment of his marriage, forcing Henri to share her bed. Two knights from opposing camps are wounded and, saved în extremis, are hidden together by the queen and her cousin. Margot falls in love with one of them, but has to run to warn her husband of a new attack...

At 73, a former President of the French Council reflects on his political career while writing his memoirs, delving into his relationships with key figures, including the one set to become the next President.

Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are pursued in more detail to the start of the Revolution, after which the story is brought rapidly up to date.

A French two-parter about a famous American trial - that of Julius and Ethel Rosenberg, who became the first people in American history to receive the death penalty for espionage.

1819, Angouleme, France, a young ambitious poet, Lucien Chardon is introduced in the salon of Mme de Bargeton where meets the high society of the city. Lucien dreams of going to Paris to conquer the glory. But if Paris is the city where he can find fame, it is also that of great disappointments.

Charles le Temeraire asks in marriage Jeanne de Beauvais, daughter of King Louis XI, wishing to get her valuable lands in dowry. The King is wise to this, and since his daughter does not feel inclined to accept, he refuses. Charles sets up a plan to abduct the prince, in a way that the suspicions will fall upon Robert de Neuville, a noble enamoured of the princess. Robert manages to free her from the castle where she was being kept. Charles keeps setting traps, and managing people to perjure against Jeanne, and the King himself. Finally, Jeanne escapes alive from a pack of wolves, who set watching the lady alone in the snow covered woods, instead of attacking her. Charles does yet accuse her of being a witch - wishing to have her dead rather than being the wife of Robert... Robert will be her champion in a Judgement of God. Will the 'miracle of the wolfs' repeat itself, or fearless Charles defeat Robert in the sword duel?

In Ivory Coast, an administrator is appointed to replace a colleague who has just been assassinated. The newly appointed administrator, Guillon, clashes with a powerful elite that extorts money from farmers who refuse to cultivate the land. A peanut processing plant, nearing completion, unfolds against a backdrop of ethnic rivalries and resistance from the rural population to the changes imposed by the colonial regime, which is striving to modernize traditional agriculture to demand increased production. Aided by a doctor and an engineer, Guillon succeeds in restoring the confidence of the Black farmers after thwarting the schemes of those who dared to stand in his way.

Following a broadcast on the radio, each of the listeners remembers these "little nothings" (the title is borrowed from a play by Mozart), which have often changed their lives. Each of these stories told will prove that a tiny detail in life can change an entire destiny.

During the colonial period in Algeria, Sergeant Bouvard helps Broussole and his two daughters, Alise and Julie, settle in Hassi Ben Okba. Demobilized, he plants vines with them. Seduced by Julie's charms, he nevertheless marries Alise because she owns the land. He protects Julie from all her lovers but cheats on Alise with Adèle, a settler's wife. Unable to bear it any longer, he runs away with Julie to Oran. The death of his father brings him back to Bou-Okba. He stays with Alise until the day when, selling his wine in Oran, he is taken over by his passion. It is Julie who will tell him to resume married life and start a family of settlers.

Violeta, an Andalusian gypsy, foretells a lady she will become empress. The lady is Eugenia de Montijo, and when she marries emperor Luis Napoleón of France she takes the young girl with her. The empress'cousin readily makes her his focus of attention, then she discovers a criminal attempt against the empress.