Directing
An interview with Italian actress Silvia Collatina about her role in Lucio Fulci's "Murderock".
A movie based on the italian sitcom "I Soliti Idioti".
Featurette on the creation and evolution of the "Lucio Fulci presenta" films.
A video essay by critic Rachael Nisbet on the unorthodox narrative structure of Mario Bava's 'Four Times That Night'.
In-depth interview with actor George Eastman about him becoming and actor and writer in the Italian film business.
A look at the career of Italian writer/director Maurizio Pradeaux.
In-depth interview with actor George Eastman on his acting career.
George Eastman talking about "Absurd", the semi-sequel to the infamous "Antropophagus", as well as about him working with Joe D'Amato and Michele Soavi.
An in-depth interview with actor George Eastman and his work on the Italian cult horror films "Anthropophagus" and "Absurd".
No description available.
Italian actor George Eastman about his long-time collaboration with exploitation filmmaker Joe D'Amato.
The movie tells the story of Alfredo Cohen, a man who left a trace by bending the forms of expression that he associated with, by shading the borders between sexes and sexualities, between italian and dialect, between high and popular theatre, between life and art. The existential path of a figure that’ s central for political and creative significance is what can fertilize our present and make it reverberate with voices that can make us rediscover the importance of imagination.
In Italian cinema, the figure of the homosexual has always been presented as a stereotype and in a deliberately offensive way, as if the only way to treat a subject that was to all intents and purposes a taboo was through parody or mockery. But it was in the cinema of the 70s, in all its various film types, from sexy comedies to detective stories, that we find gay characters constantly present in films, almost obsessively. Unfortunately, they were the butt of coarse, trivialising humour, which reflected the backward social attitudes and homophobia of the time. To understand the causes of this phenomenon, Andrea Meroni, a young director from Milan, met the leading actors and directors of that time (e.g. Lino Banfi, Enrico Vanzina and Leo Gullotta), as well as experts, critics and activists of the LGBTQI movement. The result? A surprisingly ironic documentary that talks about the way we were when we were 'froci' (fags).
Documentaric overview about the rise and fall of Italian killer-animal-themed films.
A rape-and-revenge-themed supplementary feature to Wes Craven's "The Last House on the Left" with more than eleven interviews that map out the genre's connective tissue between the US and Italy.
