Madhubala

In the 16th century, when Prince Salim falls in love with a beautiful courtesan named Anarkali, Emperor Akbar's disapproval leads to a battle between father and son.

Anjana lives a wealthy lifestyle with her dad, Dwarka Nath, in a hilly region in India. When she returns home after several years, she finds that her dad has become more strict and a disciplinarian, and even has his erring employees and villagers flogged. Then she meets with local villager, Jhumroo, and both fall in love with each other. Jhumroo takes her home to introduce her to his mom, Kamla, who approves of her instantly. When Dwarka comes to know about this, he is enraged, and quickly announces her marriage with his Manager, Ramesh. Jhumroo is heart-broken and goes to meet with Anjana, who does tell him that she loves him, but must obey her father. What Jhumroo and Anjana do not know is that she is not Dwarka's daughter, but is the daughter of Kamla, and abducted at a very young age.

A young, naive heiress is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt.

The new owners of Deepak Mahal meet with its caretaker, Mattu, who narrates the story of its' former owners: Bijondra - the only child of a wealthy Hindu Brahmin Zamindar; and Banani - the only child of a single father, Banjara Sardar Tinkari. Starting with the move to evict the Banjaras from his father's property, flute-playing Bijondra meets with and falls in love with pretty dancer, Banani - leading to being asked to leave by his enraged father; while Banani's father plans her marriage to Banjara Madhal.

Two rival career-criminal brothers recollect their lives in a Courtroom in which one is about to be convicted for murder.

A teacher falls in love with a wealthy girl but decides to go away from her to earn money.

Three woman-hating brothers face changes in their respective lifestyles when two of them fall in love.

Based on A.J.Cronin's 'Beyond This Place', this movie narrates the story of an untiring crusade for justice. A young man, learning about his father's wrongful implication in a fifteen-year-old murder, vows to bring the true criminals to justice and release his innocent father from 'kaala paani' (life imprisonment), for which he enlists the help of a press reporter, a retired police inspector and an unwitting prostitute who happens to possess some key evidence.

A comic tale of a poet and his fan both in love with each other and relentless efforts by his would be father in law to not let them marry each other. Instead, he wants his daughter to be married to the poet's friend.

Gauri lives with her crippled ex-army dad and brother. One day she notices a man calling himself Ranjeet lurking around their house. What she doesn't know is that Ranjeet is here for a reason--the suitcase of gold he had buried in Gauri's front yard.

Rakesh lives with his brother, Madan, and his dad in Rangoon. Madan has fallen into bad company and steals the family heirloom, in the shape of a dragon, some cash and runs away to India. Shortly thereafter, his dead body is found under Calcutta's Howrah Bridge. Rakesh travels to Calcutta in order to find out the mystery behind Madan's death, and also try to recover the family heirloom.

A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.

In 1940s British Bombay, the idyllic marriage of instructor Amar and singer Sheela Rani is upended when Amar's best friend, Mohan, a fugitive freedom fighter with a massive bounty, seeks refuge in their flat. The immediate political tension gives way to personal agony as Amar’s jealousy ignites over Sheela and Mohan's growing bond. Driven by toxic suspicion, Amar abandons his life to spy, forcing him toward a devastating, calculated choice between loyalty to his friend and country, or the dark allure of the colonial reward.

Jwala (transl. Flame) is a 1971 Indian Hindi-language action film directed and produced by M. V. Raman and written by Chandliyan. It stars Madhubala (in her final, posthumous film appearance) and Sunil Dutt, with Sohrab Modi and Pran in pivotal roles. The film's music was composed by Shankar–Jaikishan.

In this loose adaptation of Charlotte Brontë's Jane Eyre, childhood sweethearts Kamla and Shankar are separated and grow up in different worlds. The girl is brought up to be a priestess, while the boy becomes a dejected thakur, turned vindictive by life's injustices. Fate inevitably brings them together again, but Kamla does not know about her beloved's secret.

A diamond thief hides his loot on an innocent child, but the child turns out to be an adult posing as a youngster to purchase a half-priced train ticket. Now, the thief will have to outwit the eccentric in a series of wacky misadventures.

Kidnapped by a villainous sorcerer, young mother Balanagamma (Pushpavalli) remains in captivity for more than 12 years, spurning her captor's sexual advances with claims of being in the midst of a long-term penance ritual. In her absence, her son has grown to adulthood -- and is determined to rescue his missing mother.

After a plane crash, Dr. Motilal (Dilip Kumar) is left stranded in a small village, where he is given shelter by a blind old man called Surdas and his playful, young daughter Tarana (Madhubala). During the course of his stay, Motilal falls for the charms of the innocent Tarana.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

A peasant and his followers take up banditry and rebellion in response to unjust taxation from wicked deputies of the King. Robin Hood style.