Marija Kovačina

Bitter poetry of everyday life in the isolated hills of Eastern Bosnia shows the care and intimacy of the grannies, both in their mutual relations and in relationship with nature.

Learning to Walk 2 offers a portrait of the legendary animator Borivoj Dovniković Bordo through a long period of the artist's life, witnessing challenging social and political upheavals, focusing on those moments in which the artist himself becomes, in a way, his own main character. Through a combination of Bordo's animated works, comics and caricatures, this film seeks to speak about the freedom of creativity and seeks an answer to the eternal question: is there a systematic environment in which we truly and truly walk or do we walk lamely, as Bordo's universal hero does.

Velid, a worker at an explosives factory in the vicinity of Goražde, is fired along with several of his colleagues. While other workers are protesting and starting a strike against the factory Velid falls into depression and goes wandering alone around the city and the banks of the Drina river. Two young and aspiring film directors who are visiting Bosnia bump into him and decide to engage him in their film. This develops in a painful way.

In Eastern Serbia, in a town with a dual identity divided between magic and industry, a family whose destiny is intrinsically linked with both does their best to ensure the survival of their traditions and their future generations. Lifelong miner Dragan Markovic is the last in a line of dragon hunters, while his sister Desa is the widow of the union leader who is trying to continue his legacy by ensuring the rights of fellow mine-worker families.

Short observations of one or more journeys, somebody's smile and a dog.