Lee Jea-han
Directing
Known For

By mistake, film director Ham Chunsu arrives in Suwon a day early. With time to kill before his lecture the next day, Chunsu stops by a restored, old palace and meets an artist named Yoon Heejung. Together, they go to Heejung's workshop to look at her paintings, have Sushi with Soju for dinner, and get close. Later, they go to another café and have more drinks with Heejung's acquaintances. When asked if he is married, Chunsu is forced to reveal the fact that he is, and Heejung gets deeply disappointed...
Right Now, Wrong Then

Facing her mother’s departure and the weight of a secret affair with her professor, college student Haewon drifts through a series of encounters and dreams, blurring the lines between her desires and reality.
Nobody's Daughter Haewon

An aging poet summons his estranged sons to the hotel he is staying at because he feels his death is near; meanwhile, he encounters two women staying at the hotel.
Hotel by the River

While her husband is on a business trip, Gamhee meets three of her friends. She visits the first two at their homes, and the third she encounters by chance at a theater. While they make friendly conversation, as always, several currents flow independently above and below the surface of the sea.
The Woman Who Ran

While a South Korean man wanders the city in search of the woman he just broke up with, she successively meets and flirts with two men who claim to have met her before.
Yourself and Yours

Kwon returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori, who has come back from Japan to propose to her. Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology.
Hill of Freedom

Sunhi, a film major graduate, visits her school to ask her Professor Choi for a recommendation letter to study in U.S. Knowing the professor favors her, she expects a good recommendation from him. Out from her shell after a long time, Sunhi also ends up meeting two men from her past: Munsu, her ex-boy friend, and Jaehak, a director who graduated from the same film school. Through the encounters between Sunhi and the three men, they give each other an 'advice on life' with good intentions. The three men who all have strong interests in her are led to guess and define her, unable to tell how she really feels inside. Strangely, the mentioned advices and traits of her are similar and seem to pass from one person to the next. The words of 'advice on life' seem doubtable and slip away as the three men's thoughts on Sunhi become more and more irrelevant.
Our Sunhi

Ahreum sits in a small café, typing on her laptop. Around her, customers enact various dramas from their lives. Is she writing what she hears or is she hearing what's been written?
Grass

On her first day at work, Areum replaces a woman who broke up with the boss. The wife of the boss finds a love note, bursts into the office, and mistakes Areum for the other woman.
The Day After

On a business trip to the Cannes Film Festival, Manhee is accused of being dishonest, and fired. A teacher named Claire goes around taking photos with a Polaroid camera. She gets to know Manhee and sympathizes with her. Claire is like a person who can see Manhee's possible future or past selves, through the mysterious power of the beach tunnel. Through taking photos, Claire has acquired the ability to look slowly at things, and to transform objects. Now, Claire goes with Manhee to the café where she was fired. We look forward to seeing Claire's power at work.
Claire's Camera

Coincidentally, Suyoung finds her photo in a traveling blog. There, she discovers Sophie’s record of 4 days in Korea spent in her house. Through Sophie’s journal, Suyoung takes a fresh look at the worst times that she had endured with her husband, Jonggu. At last, the unknown feelings and truths seem to be understandable. We had been crying and laughing through Sophie’s point of view. Which sentiment did we leave behind?
Sophie's World

Jae-hyun and Su-jin, even when confronted with death, cannot abandon their restless desire to make a film—because they believe that very impulse is their love for each other.
By Another Name

Sooni is an old lady who has not been able to eat a meal properly due to a breakup recently. Such a friend of Sooni, an electric rice cooker, wants to feed Sooni.
Our Sooni

The face of Hwanhee constructs a fascinating world, divided into four chapters like a collection of short stories.