Jeannette Batti

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Two neurotics, working for a suicide hotline on the night of Christmas Eve, get caught up in a catastrophe when a pregnant woman, her abusive boyfriend, and a cross-dresser visit their office.

When a measles epidemic forces the temporary closing of a child care center, the son of a film star and her estranged husband, a concert pianist, is mistakenly delivered to a touring musician.

Two unlikely companions must smuggle four suitcases filled with contraband pork across Nazi-occupied Paris.

Janvier, an embittered teacher, is fed up with his colorless, monotonous life. One day he breaks away and ends up becoming a circus clown. In his new world, he meets a beautiful acrobat nicknamed Lili and grows fonder and fonder of her every day of his life. The trouble is that the lady bestows her favors to two different lovers : wealthy married man Chardeuil and good-looking but listless young Antonio. He now considers his duty to make Lili recover her dignity.

Two scriptwriters argue about the fate of Henrietta, a charming and gamine shopgirl. One favors a comical path for their heroine, who is overcome with sentimental love for a young photographer on Bastille Day. The other has a more thrilling and dastardly fate in mind for her. Among the film's irresistible conceits is Hildegarde Neff as an oversexed circus bareback rider.

European produced Western based on the novel by Friedrich Gerstäcker, set in the 19th century in a town on the banks of the Mississippi River. The area is plagued by a gang of pirates under the leadership of Captain Kelly, who live on an island in the river, from where they operate raids on passing steamboats and traders rafts, robbing them of their cargo and murdering the crews. Townspeople and settlers do their best to put an end to the crimes and rid themselves of the pirates and their daring leader.

Gaëtan (Sim), a small-town hotelier, schemes to scrape together enough money to travel to Paris for a belote tournament, resorting to increasingly dubious tricks and hiding his savings inside his beloved bagpipes.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

When she takes up her new post at an eerie convalescent home deep in the French countryside, nurse Martine soon discovers that several missing co-workers may have fallen prey to an unspeakable evil rumored to roam the hallways at night. But as Martine looks deeper into the mystery, she suspects the home's aged residents know more about the menace than they let on.

Toinet, Girelle and Pénible fish for sardines in Marseille. To dazzle their conquests, they present themselves as rich can manufacturers, while the little flower girls play movie stars. A ridiculous suitor wants to discuss a business deal, a potential sponsor appears and the whole tohu-bohu reclaims the songs of Vincent Scotto.

Together with his uncompromising friend Marie Girard, André de Lurvire clamors for moral reasons for the closing of the Bal Tabarin, a famous Paris cabaret. So, imagine André's reaction when he... inherits the joint! But, following the seductive schemes of Cora, Tabarin's sultry star, Lurvire gradually lowers his guard, discovers the good life and abandons his wife.

The struggles of a small business owner come to light in this film by director André Cayatte. The proprietor of a fabric shop, M. Baudu faces stiff competition when a department store moves in across the street, the first of its kind in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu, sees the writing on the wall for her uncle’s business so she takes a job as a shop girl with his competitor and despite her success the decision does not register well with the family.

The Tunisian born hero of the film decides to break with his disorganized yet habit-ridden life in Paris, and sets off to discover his homeland, which he left at 6 years old, and to rekindle the memory of his mother, who died when he was a child.

A group of Italian soccer fans arrive in Paris for a match, but most of them go their separate ways to explore the sights, have a bit of an adventure, and maybe even find some romance.

Just as she is about to marry Jules, Nénette realizes that an adventuress has borrowed her identity in order to marry Hubert de Mont-Vermeil. But at the same time, a cardinal arrives, and the truth must be kept from him. Nénette passes for Hubert's wife, and the cardinal spends his time reconciling the pseudo-spouses. After many misunderstandings, Hubert and Nénette discover that they love each other, while Jules marries the pretty soubrette, not without first inoculating Hubert's virtuous aunt with his taste for racing.

Mimile is a street singer and also a very inventive free rider. With his friend Georges, a musician in the same orchestra, they meet Arlette Sicleton and Lulu. Arlette is the sister of Sicleton, a sports event organizer and Lulu is the daughter of Ledoux, the supervisor in charge of tracking down free riders. After many misunderstandings, love will triumph.

Employed in a beauty salon, Amédée must undergo a pentothal injection. The dose is too strong; suddenly Amédée reveals the truth to everyone; to clients of the institute; to his cheating wife; to his boss that he robs; to the tax collector; etc. When the effects of the truth serum wear off, everyone returns contentedly to their little swamp.

Benjamine, the daughter of the chocolate maker Lapistole, has broken down in her car, spends a night at Paul Norman's, imposes herself casually and causes the break-up of the engagement of this peaceful civil servant with the daughter of his department head. A friend maintains contact between Paul and Benjamine, becomes the head of publicity at Lapistole and when Norman is dismissed through Benjamine's fault, brings his two friends closer and proves to them that they are made for each other.

Christine, the daughter of a rich American, acquires from her father the jazz band of Ray Ventura who will be made responsible for accompanying her from morning till evening wherever she goes. From an endless number of amusing situations, the fiancée of the girl despairs. But soon the musicians rebel in in the face of the requirements of their patroness. More than a job, it is for them misery. Christine excuses them and she goes back to America with her band. Things go bad, degenerate, but the kindness of the musicians and the firmness of the fiancée of Christine really quiet down the moods of the young woman .