Daniele Segre
Directing
Biography
Daniele Segre (Alessandria, 1952 - Torino, 2024) was an author, film and theater director and professor of documentary filmmaking. His films have almost always been broadcast on public networks and screened at the Venice Film Festival, as well as various other national and international festivals, receiving many awards, including the Giuliani De Negri Award at the Venice Film Festival, the Golden Tulip at the Istanbul International Festival, the CICAE award at the Annecy Italian Film Festival, the Filmmakers Award, and the NICE award in New York. Since 1996 he has taught the course "Cinema in reality" at the Centro Sperimentale di Cinematografia in Rome. Since 2014 he has directed the course in reporting held on the Abruzzo campus of the Centro Sperimentale di Cinematografia - National Film School.
Known For

1982. French actress Eddie is on the verge of collapse and travels to Rome accompanied by her loyal makeup artist, Valentina, to shoot a science-fiction film – a film that could be her last one.
Roma elastica
Francesco Maselli pitched this documentary to the CGIL, CISL, and UIL trade unions as part of the 1.5 million-strong protest march on November 12, 1994 against Silvio Berlusconi's projects on social security and the reform of the pension system. A large number of directors, cinematographers, camera operators and technicians from all over the country worked for free in 22 different crews, chronicling one of largest political gatherings ever held in Italy.
Rome, November 12, 1994

Three sisters, Stella, Luce and Aria, live in an isolated house, immersed in the shadows, submitted by a violent and authoritarian father, a religious fanatic obsessed with the end of the world, who keeps them prisoners behind locks and closed windows, under the pretext that the Apocalypse has finally arrived.
Darkness

Anthology of urban stories form seven Italian directors.
Provvisorio, quasi d'amore

A conversation between the filmmaker Manoel de Olivieira and the writer Agustina Bessa-Luís, filmed in December 2005.
Conversazione a Porto

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Luciana Castellina, comunista
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Ciao Alberto

A journey into the pre-adolescent world to recount the year of Covid. A portrait of Italy seen through the eyes of boys and girls aged between 10 and 14. The virus, quarantine, home schooling, distant friends, suspended activities, the new normal. The dreams, fears, and fantasies of young people during the pandemic...
Il mio anno stranissimo

Hana, a shy sweet sixteen, is secretly in love with Mario, a schoolmate and half of popular youtube duo Luka & Mario. Hana observes the shoot in which Luka accidentally hurts Mario. Hana helps Mario with the wound, and gets invited to go with him and Luka to a lake where they will shoot a solar eclipse tomorrow.
Otter
This documentary intends to contribute to the analysis of the drugs problem, by studying a huge district in a peripheral area of a large city: the Mirafiori South suburb of Turin, a vast ghetto where 15.000 people live in huge 9/10-storey buildings without any social services.
Perché droga

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Il potere dev'essere bianconero

An Italian boy dreams of becoming a bullfighter. In the sunny Andalusian pasture, a calf is born destined to be a fighting bull. Humans and animals grow up in totally different worlds, but their lives reflect each other. Only in the end will they meet.
Animal | Human

Aida, 45 years old, city hall manager in a small Southern Albanian town by the shore of Ochrid Lake has to fight against the infernal machine of a corrupt system, of which she’s a herself a part of, when her teenage son Mark becomes involved in a rape scandal that could send him to jail.
Waterdrop

A journey through three distant cultures, retracing the steps that give rise to the breath of life: its primeval discovery, the circularity of breathing, the harmony of song, the colour of each single voice and the connection with the innermost part of the self.
Song of Breath

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Mitraglia e il verme

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Vecchie

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76847 Giuliana Tedeschi

"Tonino De Bernardi - Un tempo, un incontro" is a film about the duel between two friends who are very different from one another. Two different approaches, two characters, two views that only seem antithetical meet and then open up in front of a camera. Or, more precisely, in front of the cameras. On the one hand, the eye of Daniele Segre. On the other hand, Tonino's, which almost taints the film's aesthetics. The film's development conveys a sense of immediacy, which is a fundamental principle for both directors. Daniele films Tonino and Tonino films Daniele, and this takes place in a play of associations, and in the space of an encounter. The two directors have seized this opportunity to swap views and experiences.
Tonino De Bernardi: One Time, One Encounter

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Morituri

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