Andrés Medina

Matías and his younger brother Jaime are left to their own devices in an adult world. When Jaime is caught stealing, Matías must convince a stranger to act as their father.

Nine-year-old Milo lives in a remote Argentinian village where he studies the Malambo, a folk dance full of bravura. He is an excellent dancer, but Milo’s only desire is to escape the countryside on a train for the Buenos Aires of his dreams.

Simon is 21 years old. He introduces himself as a mover's helper. He claims not to know how to cook or clean the bathroom, but he does know how to make a bed. Recently, he seems to have become a different person…

It’s winter holidays and fourteen-year-old Ana discovers that the metal plate she has in her arm from an accident she suffered as a child is now receiving a strange message in Morse code.

In Argentina, the majority of delivery drivers working for local UberEats clone apps are Venezuelans who have fled the crisis ravaging their country. Filmed during the pandemic in Buenos Aires, Caracas and Colonia Tovar, Riders forcefully immerses us in the gruelling daily lives of those exploited by the platform economy at both ends of South America.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

In the tough neighborhood of Tepito, a boy faces the great Mexican dream: becoming a boxing champion.

Pablo and Florencia work on Florida Street, the economic and tourist epicentre of Buenos Aires. Economic difficulties affect their life together. Pablo, in order to survive, begins to clandestinely smuggle dollars in the street. Taking advantage of the imminence of a currency crisis they will try to strike the blow that will take them out from the street once and for all.

Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.

Noemí lives in the outskirts of Buenos Aires. She wanders the streets and draws in her notebook as he waits for a message from his boyfriend that doesn’t arrive. Noemí gets more and more desperate each day until her rage pushes her to the limit and she ends up acknowledging her strength.

Joaquín has the power to charge cell phones or supply electricity to any device with the energy of his own body, so he takes advantage of it to make a few pesos in a city resigned to scheduled power outages. A laconic and refined comedy, touched by the grace of the extraordinary.

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A boy raised in the mountains films his home surroundings. He shows his sister, his father, their house with a treehouse in the garden, and the family’s old dog. He runs and cycles while holding the camera, creating choppy, chaotic images that match the energetic life of a child.

Against a green-screen backdrop, a group of children and adults ask themselves questions about their gender. In a natural space freed from normativity, the possibilities of rewriting the scripts of their lives become infinite. Acclaimed director Manuel Abramovich and his performers invite us into a dazzling new reality of desires and possible futures.

Creating a national park in the Brazilian state of Piauí dedicated to the preservation of what are apparently the first traces of human activity in the Americas has been archeologist Niède Guidon’s life work. SERTÃO, AMÉRICA is a contemporary take on a mythical territory of Brazilian cinema, once the cinematic realm of Glauber Rocha and other giants. The film pays a brief visit to the region, which is rendered in appropriately fragile analogue textures and deteriorated colours, as small fragments of the biographies of those who used to live there hover over the animal noises of the delicately crafted soundscape.

Even the smallest animals have the survival instinct intact. But not El Malincho: this young bandit desperately seeks refuge in love.

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The light and the noise stain the dark night.

stone age Age of water. Lightning defines the age of the future. The age of the future is a skeleton of lightning.

A city department is the scene of confluences of relationships, where the intimacy of a couple and the public sphere of work are confused and converge.