Valentina Posleman

When Marcelo Pena finally is about to be appointed Head of the Philosophy Department, the famous and seductive Professor Sujarchuk returns from Europe to claim the kingdom for himself.

Paula goes through a night, trying hard to make something happen that is not happening to her. As she gets drunk in all the places she visits, she meets an ex-boyfriend, some friends who are not with her and Fernando. What was her threat, ends up being her treasure.

The postcard is diffuse, but in the memory there are flashes of clarity. They appear in the scene: they chat, they meet again and they recognize in each other's eyes and words. Expectant for what may happen in the future, they decide to talk about the past to understand the configuration of the present.

Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.

A feature film that intertwines a handful of short fictional stories marked by the anguish that the death of loved ones always causes: two women who miss the same man, an old man who returns to the place where he lived experiences that left a mark on him in his youth, a rural town invaded by its own memories, and a mother who reunites with a son whose life hangs in the balance after insisting on unnecessary distancing.

Henry and Román discover they are two supporting characters in the story of Flore where they are her sisters’ “boyfriends.” Both of them return to the story again and again in order to boycott it and, at least once, get to be the protagonists.

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