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Chady and David work on cargo ships on Lake Geneva. They are both foreigners in Switzerland. On the oscillating waters of the lake, the young men, who are haunted by the memories of their home countries, share secrets, memories and the same feeling of being uprooted. A strange intimacy forms between the two men.
A car aficionado, filmmaker Paulo Carneiro travels 2000 kilometres to meet car enthusiasts of the Portuguese community in exile. In a pop and urban universe, Périphérique Nord explores this shared passion and the freedom it provides for these exiled persons who seem to finally find (once again) a territory of their own.
An awkward first aid instructor seeks intimacy with his student. Their questionable contact is fleeting, but for a silent witness from afar, it leaves a lifelong imprint.
Dancers dream of free and fluid motion to escape from their rigorous rehearsal.
We enter a living painting: actors demonstrating to the cries of “They don’t represent us!”, the rallying slogan of the anti-austerity movement in the Puerta del Sol square, who in 2011 shared their desire to create an original space of direct democracy. Like Irene Muñoz Martín. In this personal essay, she returns to this experience that has not yet found its “expression”: a canonical image that she attempts to capture, in vain.
