Federico Luis

Simon is 21 years old. He introduces himself as a mover's helper. He claims not to know how to cook or clean the bathroom, but he does know how to make a bed. Recently, he seems to have become a different person…

Deep knowledge of a person can be overwhelming. Even in the most trivial situations it is possible to find peaks of tension that appear from the underground. Vidrios intends to explore the universe of interpersonal relationships through a series of scenes of isolated appearance, with anonymous characters that are constantly updated and dialogue with each other until they burst a moment in the absurd.

In the tough neighborhood of Tepito, a boy faces the great Mexican dream: becoming a boxing champion.

A portrait of what fame and love hurts.

Despite his deformed body, a small, immobile man is the best Belgian Malinois trainer in the country. He lives with his nurse and his twenty dogs trained to kill. The arrival of a young soldier, sent by the National Army, destabilizes the delicate balance of power that kept the house standing.

A boy raised in the mountains films his home surroundings. He shows his sister, his father, their house with a treehouse in the garden, and the family’s old dog. He runs and cycles while holding the camera, creating choppy, chaotic images that match the energetic life of a child.

Pehuén Pedre is a young man with a disability. On a theatre stage, he is leading a workshop to train two actors to pass an examination which will allow them to obtain a certificate attesting to their disability. Federico Luis offers a playful and incisive reflection which subverts the norms, highlighting the space of our shared imperfections.

A girl takes a walk around the backstage of the theater his father works in.

Even the smallest animals have the survival instinct intact. But not El Malincho: this young bandit desperately seeks refuge in love.

A girl wraps her grandmother in a spiral of fantasy, causing amnesia to her.

No description available.