Eberhard Panitz

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.

Ralph grows up in pre-war Dresden as the eldest son of a principled and orderly streetcar conductor. With the rise to power of the Nazis, the war, the collapse and the hesitant new beginning, his firmly established middle-class world is also thrown off course. His father is one of the first to be called up to the front. His mother is left alone with the responsibility for Ralph and his younger brother Achim. In the air-raid shelter, during the nights of bombing and later in the daily struggle against misery and hunger, the mother quickly abandons all moral baggage and develops a pragmatic will to survive, for which she admires Ralph. At the same time, the boy is frightened by his mother's desperate claim to happiness because he perceives her affairs as a betrayal of his father, who has gradually faded into a symbol of a happy, carefree childhood.

She is called Dona Juanita: the attractive young architect Anita Nachtigall, who manages a department on a large construction site with great success. She is said to have had many affairs and, so it is said, the death of a certain Sawallish. The evil afterspeech puts Anita so that she announces her place. But a young safety inspector on the job site doesn't want her to leave. He cares what really happened...

She is called Dona Juanita: the attractive young architect Anita Nachtigall, who manages a department on a large construction site with great success. She is said to have had many affairs and, so it is said, the death of a certain Sawallish. The evil afterspeech puts Anita so that she announces her place. But a young safety inspector on the job site doesn't want her to leave. He cares what really happened...

Ralph grows up in pre-war Dresden as the eldest son of a principled and orderly streetcar conductor. With the rise to power of the Nazis, the war, the collapse and the hesitant new beginning, his firmly established middle-class world is also thrown off course. His father is one of the first to be called up to the front. His mother is left alone with the responsibility for Ralph and his younger brother Achim. In the air-raid shelter, during the nights of bombing and later in the daily struggle against misery and hunger, the mother quickly abandons all moral baggage and develops a pragmatic will to survive, for which she admires Ralph. At the same time, the boy is frightened by his mother's desperate claim to happiness because he perceives her affairs as a betrayal of his father, who has gradually faded into a symbol of a happy, carefree childhood.

Film by Rolf Losansky.

The writer Schaffrath enters the office of Dr. Hans Kahler, a graduate engineer, and asks if he may look around the facility, as he intends to write a report on the workers in the new section of an oil refinery.