Noemí Chantada
Crew
Known For

His world was already like an empty anthill, a dry swarm to which a cricket has come to sneak.
The Girl Who Comes On Thursdays
David and Lola are going to spend a few days at their friend Marcos’ rural house. In the middle of nature they seek to meet and see each other, to leave behind the sadness that accompanies Lola.
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From the personal to the political, the experiences of diverse women speak of how masculinized and violent the streets still are nowadays. In three insightful conversations with female friends, collaborators and high school students, the director looks for a discourse about fear that is not fearsome, a discourse on violence that is not violent. Direct cinema, horizontal process, self-criticism and narrative breaks. Mostly, this is a tale of universal sorority.