Bibbo

A story about two women, who shared their husband.

Khaibar Mail (or Khyber Mail) is a classic Pakistani film from 1960, known for its adventure/drama set around a train journey, featuring stars like Agha Hussaini, Nasira, Neelo, and Aslam Pervaiz, telling tales of love, danger, and local culture against the backdrop of the Khyber Pass region

Ostensibly a Central Asian war fantasy about a conflict between the Cossacks and the Tartars, Mehboob’s film proposes a tale advocating national independence. The Cossacks are oppressed by the despotic Russian king (Siddiqui) and his minister Jabir (Kayamali), who has Tartar blood in him. General Murad (Kumar) covertly sides with the opposition, gets arrested for treason and escapes. He meets the wild Gulnar (Sitara Devi) and gets her to spy as a maid of Princess Nigar (Bibbo). Nigar falls for Murad and Gulnar withdraws from the scene for the sake of her nation. Eventually Nigar, at the head of an army of women, helps defeat the villains.

Najma, a destitute but caring young woman, lives with her aunt and cousins in Murree. Her life slowly spirals out of control with the arrival of a rebellious young man from Karachi.

A realistic treatment of industrial working-class conditions in a Bombay textile mill.

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Prince Jahangir loves the slave girl Anarkali, which creates a serious conflict between Prince Jahangir and his father, Mughal emperor Akbar.

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Farzana, a lonely young widow known as "Baaji," finds her quiet life disrupted when her cousin Nasir visits. A tragic misunderstanding leads her to believe Nasir intends to marry her, unaware that his heart actually belongs to another.

King of Umarkot, is looking for a bride but finds none to his liking. Phog mentions the unmatchable beauty of Marvi. Umar decides to check out Marvi for himself and immediately falls under her spell.

Sassi faces hardships and difficulties while seeking his beloved husband, who was separated from her by the rivals.

An invisible maniac kills women who have birthmarks on their face while leaving the police clueless.

A professional thief Dhanji Bhagat uses his street-dancer daughter Raju as cover while working for wealthy schemer Keshav Seth. After Dhanji’s death, Raju’s life spirals into entanglements with Keshav’s shady dealings, a reckless suitor named Ramesh, and a series of misadventures that mix crime, betrayal, and misplaced romance. The story races through thefts, murders, and mistaken loyalties, ending with Ramesh marrying Raju after a turbulent journey of deceit and redemption.

Young, bored millionaire (Motilal) has a bet with his doctor that he will go out into the world without taking any money and survive for 300 days.

A flamboyant film producer Ramesh dotes on his glamorous star, Kishori, while avoiding a return to his village — and the wife he married in childhood, Rajni, whom he hasn’t seen since. When Rajni shows up in the city after a quarrel, unaware she’s competing with Kishori for her own husband’s affection, mistaken identities and meddling antics spark a lively “wife versus mistress” comedy of love, loyalty, and chaos.

Snehalata’s life takes a dramatic turn when love, duty, and circumstance pull her between a poor orphan she once cared for and the wealthy man she marries. Her journey weaves through sacrifice, suspicion, separation, and an unexpected rise to fame, as the ties of love and family are tested across years of hardship and change.

The follow-up to Manmohan (1936) again starred Surendra and Bibbo. She is Neela, he plays Jagirdar Surendra. They secretly marry and have a child. When Jagirdar is presumed dead in a shipwreck, the child is considered illegitimate. The poor peasant Shripat (Pande) helps Neela by marrying her and raising her son Ramesh (Motilal). The husband eventually returns and violently quarrels with Shripat about who ‘owns’ Neela. When the villain Banwarilal kills Shripat, the husband is framed for the killing. The real problem, however, is the son’s rejection of his father, solved when together they face the gangsters in Narayanlal’s (Yakub) den.

Two childhood sweethearts are driven apart by a bitter family feud, only for a twist of fate and a shared tragedy to reunite them under the most complicated of circumstances.

A social woman-centered film interrogating aspects of feudal patriarchy. The painter Ashok (Surendra) who loves the orphaned Vimala (Bibbo) is distressed to learn that she is due to marry Jagdish (Yakub). He paints Vimala's portraits with a frenzied obsession and becomes a famous artist. Paralleling this love story is the decline in Ashok's family fortunes.