Acting
Two childhood sweethearts are driven apart by a bitter family feud, only for a twist of fate and a shared tragedy to reunite them under the most complicated of circumstances.
Najma, a destitute but caring young woman, lives with her aunt and cousins in Murree. Her life slowly spirals out of control with the arrival of a rebellious young man from Karachi.
A story about two women, who shared their husband.
An invisible maniac kills women who have birthmarks on their face while leaving the police clueless.
No description available.
Farzana, a lonely young widow known as "Baaji," finds her quiet life disrupted when her cousin Nasir visits. A tragic misunderstanding leads her to believe Nasir intends to marry her, unaware that his heart actually belongs to another.
Film starring Neelo and Rattan Kumar.
Ostensibly a Central Asian war fantasy about a conflict between the Cossacks and the Tartars, Mehboob’s film proposes a tale advocating national independence. The Cossacks are oppressed by the despotic Russian king (Siddiqui) and his minister Jabir (Kayamali), who has Tartar blood in him. General Murad (Kumar) covertly sides with the opposition, gets arrested for treason and escapes. He meets the wild Gulnar (Sitara Devi) and gets her to spy as a maid of Princess Nigar (Bibbo). Nigar falls for Murad and Gulnar withdraws from the scene for the sake of her nation. Eventually Nigar, at the head of an army of women, helps defeat the villains.
A social‑musical drama from early Pakistani cinema, starring Sabiha Khanum and Santosh Kumar. With music by Master Inayat Hussain, the film helped make its lead pair a bankable romantic duo, introduced fresh talent like Musarrat Nazir, and delivered box‑office success in 1955.
Khaibar Mail (or Khyber Mail) is a classic Pakistani film from 1960, known for its adventure/drama set around a train journey, featuring stars like Agha Hussaini, Nasira, Neelo, and Aslam Pervaiz, telling tales of love, danger, and local culture against the backdrop of the Khyber Pass region
Sassi faces hardships and difficulties while seeking his beloved husband, who was separated from her by the rivals.
Prince Jahangir loves the slave girl Anarkali, which creates a serious conflict between Prince Jahangir and his father, Mughal emperor Akbar.
A realistic treatment of industrial working-class conditions in a Bombay textile mill.
A blacksmith named Budhwa, who is "too ugly to get a life-mate," is set to marry a woman named Maina. However, Maina is secretly in love with another man and has to make a difficult decision on her wedding night. The film follows the chain of events that unfold after this choice, as Budhwa and Maina's lives become intertwined in unexpected ways.
A social woman-centered film interrogating aspects of feudal patriarchy. The painter Ashok (Surendra) who loves the orphaned Vimala (Bibbo) is distressed to learn that she is due to marry Jagdish (Yakub). He paints Vimala's portraits with a frenzied obsession and becomes a famous artist. Paralleling this love story is the decline in Ashok's family fortunes.
King of Umarkot, is looking for a bride but finds none to his liking. Phog mentions the unmatchable beauty of Marvi. Umar decides to check out Marvi for himself and immediately falls under her spell.
A flamboyant film producer Ramesh dotes on his glamorous star, Kishori, while avoiding a return to his village — and the wife he married in childhood, Rajni, whom he hasn’t seen since. When Rajni shows up in the city after a quarrel, unaware she’s competing with Kishori for her own husband’s affection, mistaken identities and meddling antics spark a lively “wife versus mistress” comedy of love, loyalty, and chaos.
Young, bored millionaire (Motilal) has a bet with his doctor that he will go out into the world without taking any money and survive for 300 days.
