Marek Novák

A misfit teenager, an anxious mother, and a recent widow see their day interrupted by a mysterious natural phenomenon. As their world descends into chaos, the three women struggle to find their place in life.

Erhart wants to protect his mentally ill mother from the forced sale of her home. Doing so, he uncovers a scheme that reveals the secrets of his long-vanished father. Family story meets the legacy of post-socialist transformation.

At a theatre workshop for young people, a teenager embarks on a sexual relationship with a slightly older girl. But isn’t this all a bit of a mistake? The people around them react in various ways, yet no-one is indifferent to what’s going on.

Carefree Jindřiška (23) discovers that her father owes a lot of money when debt collectors arrive to confiscate their house. In a single day, Jindřiška's world falls apart, forcing her to choose between helping her father or saving herself before it's too late.

Eliseé survived the Rwandan genocide as a child. Today he leads an orphan acrobat group in a country, which heavily relies on foreign aid. He cares for the orphaned children and wants them to be happy, to have some sense in their lives. Rosta Novák built a worldwide-acclaimed circus group in Prague, where he successfully rules with a firm, paternal hand, but has permanently dark under-eye circles from the workload. The majority of Rwandese think that all people in Europe are fairy rich. On the other hand, many Europeans think that it is necessary to help Africa with everything. What happens, if we merge these two worlds in a film, during the preparation of a joint circus performance? What are the true motivations of our protagonists and what does it tell us about the Africa-Europe relationship? And who actually helps whom, in the end?

After an incident in a bar, Laurentiu dies due to a serious head injury. The film accompanies him through his last living day and offers a glimpse into his last moments. Based on a real life story.

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At the 1982 Cannes Film Festival, Wim Wenders invited several of his esteemed colleagues to a hotel room, where he filmed their reflections on the future of film. This exclusive documentary survey, Room 666, inspired two Czech producers to engage in a similar undertaking in collaboration with the Karlovy Vary International Film Festival. During last year’s festival, they thus invited around thirty Czech or Czech-based filmmakers from all generations and asked them “what makes Czech film Czech?” The result is an exciting mosaic not just of views and opinions, but also of mannerisms and personalities.