Jan Gogola ml.

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Chytilová’s highly impressive but little-known documentary provides a fascinating and atmospheric journey into a hidden culture, one in which she herself participated. Chytilová investigates the lives of three Czech photographers (Václav Chochola, Karel Ludwig, Zdeněk Tmej) from the 30s to the present, and also embraces the submerged world of 50s culture and the work of novelist Bohumil Hrabal and artist Vladimír Boudník.

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The memory of World War II is the only thing that makes a small Russian town alive. Like a great treasure this memory is preserved here in every home and is passed on from generation to generation. Yet exactly this memory prevents people from understanding that despite their own will they are getting involved in a new war.

A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.

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Life hasn't been easy on Mallory but after the birth of her son she tries desperately to kick her drug habit, and to stop living on the street. She wants to turn her back on her dark past and help those she knows best - people on the fringes of society.

Honza was born in 1974 into the cheerless era of socialism in Czechoslovakia. At that time, his parents Jana and Petr lived in one room in the apartment of Jana's divorced mother and her widowed grandmother. A few years later, the family moved from Prague to Liberec where Petr found a job and a little house for the family. When Honza was born, his father began writing a family chronicle and he has continued to do so for 37 years. "Private Universe" show not only the life of one ordinary family, but also how the Czech society has changed in last four decades. Who are we, where do we come from and where do we go?

An experimental study about Czech life, focusing on Prague's National Street, its businesses and the varied people who frequent it.

Jan Sikl expertly edits together actual home-movie footage from the 1920s to the 1960s in order to chronicle the history of Czechoslovakia in the 20th century. In eight episodes of 52 minutes, the major events of Czech history, including the Depression, the occupation by the Nazis, World War II, and the rise of communism are depicted through the experiences of real-life Czech citizens. The series reveals that history is the story of ordinary people facing extraordinary circumstances - not the dry, dull set of names and dates taught in schools. —Susan Doll

The film is a monolog in which Catholic priest Vojtěch Kodet recounts his experiences with souls in the clutches of evil forces. The film, which frequently quotes from the writings of Raul Salvucci, is based on a sermon focused exclusively on the taboo subject of exorcism. The only thing connecting the priest with the outside world is a walk among the trees, which for a moment brings about a sense of calm free from temptation and obsession.

Documentary film about Czech actress Lida Baarova, who fell in love with Joseph Goebbels in the 30s.

Longitudinal documentary film was shot for past 16 years and the main protagonist is Roman musician and activist Vojta Lavička. Vojta is a master in violin play, who focuses not only on music but also deals with problems of his origin Roman nationality. Vojta is very active in media - he worked in the national radio and television, he worked in the NGO that organize street work for Roman ghettos around the Czech republic, Vojta worked also as a social worker. All together we can watch him struggling with the main topic of his life - his national minority and problems that are caused by living next to Czech majority. Aside this topic films discovers Vojta's private life and his fight for being a good musician and a good man.

An untraditional documentary portrait reveals the complicated personality of the Slovak music legend Jožo Ráž, the singer for the pop-rock group Elán. From recordings of everyday situations, playful moments, intimate conversations about God and death, and memories of the past, the director composes a complex image of a man loved by the masses, who, despite all his life successes, feels lonely.

Documentary.In its catalogue, a Czech travel agency offers a "journey into the unknown", a tour of North Korea. That spring was the second time since 1990 that a group of Czech tourists set foot in the DPRK. The film follows twenty-seven Czechs who have decided to spend approximately 2,600 Euros on a sightseeing tour of a country which cultivates a cult of personality, maintains concentration camps for its citizens and doesn't hide its development of nuclear weapons. Foreign visitors are only allowed a view of a carefully prepared illusion, thoroughly supervised by "guides". What is more, the North Korean system is starkly reminiscent of our own past. Which emotions do our travellers experience: sympathy, nostalgia or, in contrast, happiness that "we already have this behind us"? How does a Czech person, after being accustomed to eighteen years of freedom and democracy, come to terms with the directives and restrictions of a totalitarian system?

Like the steam that silently appears and then disappears over a flowing river, the life of every human is just as fleeting, and this particularly applies in the case of artists. The transience of their fame is the main topic of this documentary, which provides a glimpse into the lives of three ageing jazzmen: trumpeter Laco Deczi, saxophonist Ľubomír Tamaškovič, and contrabass player Ján Jankeje, who fled from the Soviet-occupied Czechoslovakia to the West, where their stars shone alongside those of the world’s famous musicians.

To recharge after a divorce, a woman returns to her home village, which faces a bizarre problem. The cemetery has run out of room.

Lucie, a contemporary music composer and performer, creates bizarre pieces using knitting patterns or water turbine schemes, which the public struggles to accept. She prioritises authenticity over popularity, avoiding emotional storytelling in her music. Despite facing resistance from performers and listeners, Lucie remains dedicated, sacrificing much for her art. Her composition “Accept” succeeds, leading her to study in the Netherlands and USA, where she gains acclaim but finds personal life unfulfilled. After losing someone close, Lucie is left adrift in sound, questioning her ability to compose without emotion. Director Jan Hubacek explores these themes in his debut documentary.

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