Ivana Pauerová

A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.

An immersion into the intimacy of Mikhail Gorbachev, the last leader of the USSR. The architect of perestroika and glasnost, who was praised in the West but reviled in his own country, still combative despite his advanced age, loneliness and illness, offers his personal and political testament.

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The film is not merely a record of rehearsals, but above all an intimate look at the relationships between its individual protagonists. Nor is it a classic documentary, because the line between acting, creation, and recording reality is too thin. The film thus reflects not only the aging of outstanding actors, but also their relationship to today's world and their disappointment with the current state of Czech film and theater. It speaks to their fears, desires, and efforts to give their best.

When Zdenka, a single woman in Czech Republic, started playing online games with strangers, she didn't know it would change her life. Neither did Tabish, a computer scientist a world away in Pakistan.

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A documentary about Antonín Kratochvíl, a prominent figure in world photography and winner of four prestigious World Press Photo awards. Through his son Michael, the film connects the stories of three generations of photographers, focusing primarily on one of them, Michael's father Antonín.

The film tells about complete dedication to music, about faith in his own path, which was often different from what everyone recommended. About how great social revolutions and life's upheavals can be overcome with elegance.

Eliseé survived the Rwandan genocide as a child. Today he leads an orphan acrobat group in a country, which heavily relies on foreign aid. He cares for the orphaned children and wants them to be happy, to have some sense in their lives. Rosta Novák built a worldwide-acclaimed circus group in Prague, where he successfully rules with a firm, paternal hand, but has permanently dark under-eye circles from the workload. The majority of Rwandese think that all people in Europe are fairy rich. On the other hand, many Europeans think that it is necessary to help Africa with everything. What happens, if we merge these two worlds in a film, during the preparation of a joint circus performance? What are the true motivations of our protagonists and what does it tell us about the Africa-Europe relationship? And who actually helps whom, in the end?

A look at the legendary Czech sound designer and his profession. Editor and documentary filmmaker Adéla Špaljová has her father Ivo Špalj talk about his life, career, and working methods. Over the course of his long life, sound designer Ivo Špalj (*1940) has collaborated on hundreds of films and become a mentor for at least one generation of men and women behind the mixing board. This gentle documentary also shows “Engi” (as he is known to his colleagues) again working with Jan Švankmajer, whose films he has lent their typical, dense, and sophisticated sound mix.

1,200 kilometres of snowy landscape to be covered in 12 days. These are the conditions for the Finnmarksløpet sled dog race and Czech husky breeder Jana Henychová is set to participate again.

The protagonist of Dajori (mother in Romani) is forty-five-year-old Marie Hučková, who lives with her husband in Varnsdorf. After her younger sister Iveta ends up on the streets with her nine children, she decides to take her own fate and theirs firmly into her own hands and attempts to break out of the vicious circle of poverty that characterises their hometown. This sensitive film, which captures three years of a newly formed family's life together, follows the small joys and daily challenges of caring for others and asks whether a mother's love can overcome the dysfunctional system in which socially excluded localities find themselves.

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When the junior ice hockey team from the small town of Náchod, in the Czech Republic, sets off in a bus to Morocco to play the away game in an exchange programme, the players and their coach expect an easy victory and a cultural shock: “bring ear plugs”, the coach suggests them with a touch of undisguised condescendence, so as not to hear the call to prayer early in the morning. Both on and off the ice, Rozálie Kohoutová and Tomáš Bojar’s camera focuses on a few teenagers and their exchanges, simultaneously funny and cruel, in a clumsy English.

Manipulation, coercion, humiliation, aggression. Hidden cameras captured the rough background of the seniors' demonstration events. What really happens on the popular free lunch tours? Practices that give you chills. Lies and deliberate manipulation, the sole purpose of which is to force defenseless old people to buy overpriced goods. Seniors pay exorbitant sums from their meager pensions for often low-quality products. Some of them worry that they will never go to any event again, others can't stand it and go again. What drives them? Curiosity? Loneliness? Or addiction?

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How to raise boys in a time of changing roles and growing uncertainty? A documentary by director Andrea Culková follows four young people who, through their own theater project, explore questions of masculinity, emotions, and societal pressure – in dialogue with expert voices from the fields of psychology, history, and pedagogy.