Florencia de Mugica
Production
Biography
Florencia de Mugica is an Argentine producer with a Master's in Audiovisual Distribution and Business from ECAM and another in Film Curating from EQZE. Degree in dramatic arts, she later specialized in cinema and film production. In late 2014, she founded her production company, Bomba Cine, with a focus on emerging directors and producing their first and second feature films. Her work has premiered at renowned festivals such as Berlinale, San Sebastián, Mar del Plata, BAFICI, BFI London, Valdivia, and Doc Lisboa. As a producer, she has worked on films such as La noche (2016), La verdad interior (2018), Mama, mama, mama (2020), Mision a Marte (2023), Bird (2023), and Una sombra oscilante (2024). Currently based in Spain, Florencia continues to contribute to the industry while simultaneously being involved in the Europe-Latin America Co-Production Forum at the San Sebastián International Film Festival (SSIFF) and her work in the industry department at SEMINCI.
Known For
Martin moves around Buenos Aires at night, picking up guys, going to clubs, scoring drugs and having sex. Sometimes he’s paying and sometimes his trans sex-worker friend or another woman takes him along for a threesome.
The Night
Gathered in a shelter in an Ecuadorian forest, adolescent victims of sex trafficking take their tentative first steps in their newly recovered lives.
Bird
No description available.
La excusa del sueño americano
A young man arrives from Europe and spends his days with his sister in an apartment in the Once neighbourhood. While he gets used to his new life, he secretly dreams about the possibility that the cashier from the Chinese supermarket has some kind of interest in him.
PINPIN
A father took photos during the Chilean dictatorship. His daughter plays with him in the darkroom, developing other images. Images to resist and invent other futures.
An Oscillating Shadow
Edu, is a young Brazilian Drag Queen in Buenos Aires' underground nightlife. He dreams of a grander life: Europe, romance, and transitioning into the woman he sometimes sees in the mirror. A marriage of convenience with a Dutch man offers him hope, but in the Netherlands his dreams crumble. Returning to Buenos Aires he finds his old life unrecognizable. Struggling with identity and love, Edu questions his place in drag and whether the roles he’s played reflect who he truly is.