Samuel Lajus

French current affair show

Taking place on Kongo Bongo Island, the show focuses on Donkey Kong, the island's resident hero. Before the series' events, he was chosen as the island's future ruler by a magical artifact known as the Crystal Coconut, which is connected to a spirit known as Inka Dinka Doo. In the present, Donkey Kong must prove he deserves the role through his heroics and by simply guarding the coconut. Alongside various allies such as his best friend and sidekick Diddy Kong and his mentor Cranky Kong, he must protect the Crystal Coconut from various threats, most notably the villainous King K. Rool and his Kremling army who long to steal it in order to rule Kongo Bongo. Oftentimes, Donkey Kong has to juggle his guardian duties with his social life, his relationship with Candy Kong, and his love of gorging on bananas.

The story, told by the survivors, of a group of young men, members of a Uruguayan rugby team, who managed to survive for 72 days, at an altitude of almost 4,000 meters, in the heart of the Andes Mountains, after their plane, en route to Chile, crashed there on October 13, 1972.

Legend says whoever holds the Crystal Coconut will get any wish granted. Now everybody on the island of Kongo Bongo is going bananas trying to get the coconut, including ruthless crocodile King K. Rool and notorious pirate Captain Scurvy. But our hero D.K. has a few surprises up his fur-covered sleeve!

September 3rd, 1939. Britain and France declare war on Nazi Germany, only two days after the Wehrmacht invades Poland. This day, the sad date when the fate of the world changed forever, the Phoney War began: eight months of uncertainty, preparations, evacuations and skirmishes.

The prodigious genesis of a monument of world literature, too often reduced to its popular success, also recounts the tormented conversion of its author, Victor Hugo, to the ideal of social progress.

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Two years ago, Mohammed VI succeeded his father, Hassan II, without any apparent difficulties. Is this succession really as smooth as it seems?

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They are 50 years old today. Over the last thirty years, they have fought against Paris and its various governments. Since their first student demonstrations demanding the creation of a university in Corsica in the 70s, they have constantly pushed back the frontiers of protest. They created the Front de Libération Nationale de la Corse (Corsican National Liberation Front), and carried out hundreds of bombings and commando operations to violently assert the existence of an identity claim. Many have chosen to hang up their rifles, while a few are still adept at the murky game of clandestinity, but for all of them the time has come for an explanation and an initial assessment. This film is their story.

In 1971, Uruguayan journalist and writer Eduardo Galeano published his landmark work Open Veins of Latin America, in which he comprehensively described the centuries of economic exploitation of Latin America. Almost 40 years later, filmmaker Gonzalo Arijon reevaluates the situation. His search takes him from the soybean plantations of the Brazilian Amazon to the tin mines of Bolivia to the deep jungles of Ecuador. Arijon’s politically committed film allows the local populations to speak for themselves, interspersing this with archival footage of speeches by Hugo Chávez, Lula da Silva and Evo Morales. Galeano himself also speaks—sometimes in poetic language— about how the rise of socialist governments in the early 21st century is benefitting Latin America, and what more can be done.

Can one of the regulatory authorities of our states be financed by private funds? This captivating investigation lifts the lid on one of the most secretive organization's funding.

When France rumbles, the strategy and control of public order become a crucial political issue. Between protecting institutions and guaranteeing the right to demonstrate: the right balance is subtle. At the beginning of the Yellow Vests movement, at the end of 2018, the principles of "French-style" policing were shattered. The ransacking of the Arc Triomphe, the hundreds of injuries among the demonstrators and the forces of order mark the minds. How did it come to this? In order to understand, the film questions the so-called "legitimate" force and confronts them with the images of these confrontations.

Samuel is 23 when he arrives in Rwanda as an audiovisual facilitator at the French Cultural Centre in Kigali. Having made this choice to avoid the classic military service, he finds himself without a camera in a country at war. The French army has even set up camp within the Cultural Centre. During the 18 months he spends there, the warning signs accumulate, but Samuel doesn't believe or doesn't want to believe them. What he is told seems impossible to him: France cannot possibly support a regime that commits or encourages such atrocities. It doesn't keep him though from enjoying the country and partying, but doubt creeps in, his certitudes start wavering, and Samuel finally opens his eyes.