Magdalena Schavelzon

A group of working-class losers plot to give an old gypsy mobster a heart attack in order to recover a valuable car. They decide to build a monster to scare him to death. But they're looking for trouble.

It’s winter holidays and fourteen-year-old Ana discovers that the metal plate she has in her arm from an accident she suffered as a child is now receiving a strange message in Morse code.

It’s saturday night and Pilar just wants to stay alone at home without being bother. But when the doorbell rings, her plans will soon change.

A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

Synopsis, by Lucía Seles: ““This video is my tribute to the afternoons that I spent myself concentrated and safe without anyone on the hills of the viewpoint and other areas like this and my anguish because the shoe stores are less cold than one would like. and apart from that it's part 02 of early kirk -early church”.

Iván is a Spanish film producer who travels to Argentina with a single mission: to meet Carmen Trevilla, a cult director who is in the creative process of her new “video.” From minute zero, he feels captivated by her overwhelming and disconcerting presence. Although he still does not know if he is going to produce it – since he thinks that his cinema will not be well received by current European sensibilities – Iván takes advantage of every moment with Carmen to record, with his cell phone in his hand and an endless smile on his face, every adventure they embark on.

Pablo and Florencia work on Florida Street, the economic and tourist epicentre of Buenos Aires. Economic difficulties affect their life together. Pablo, in order to survive, begins to clandestinely smuggle dollars in the street. Taking advantage of the imminence of a currency crisis they will try to strike the blow that will take them out from the street once and for all.

An employee at a private school is promoted and beyond that she has the strength to attack her dead husband for not being a man when he was traveling with her in a bus.

A record of the creative process of Spanish director Gonzalo García-Pelayo, together with his new artistic discovery, singer Anikka. During the shoot, he is seen radicalizing and, at the same time, syncretizing the two main themes of his filmography: music and sex.

José Celestino Campusano is preparing a new film. To do so, he summons a group of men including Vikingo, his usual actor. The four of them reflect on their origins, violence and cinema.

Haunted by her recent past, a police lieutenant investigates a mysterious case known as 'The Sugar Girl': the appearance of a young girl in a city hotel. Although the authorities do not take the case seriously, the lieutenant suspects there is something deeper hidden, unaware that a macabre truth lies beneath.

Pilar sets out on a journey from the capital to the center of Buenos Aires Province. During her search, she must deal with the past through the insistent audios of a man.

A wandering man drifts through La Plata's train station, becoming a lens through which we experience various scenes and moments from the Argentine city's daily life.

Eloísa is an employee at a sweater store, but her passion is visiting the stable run by her friend Julio. Her life is transformed after the departure of her sister, who leaves her daughter Mora in her care. This way, Eloísa will enter her niece’s unknown children’s world.

Pelu is a thirty-something who barely survives on his salary as a projectionist at a municipal film club. After losing his job, he agrees to stay on as a night watchman and ends up living secretly inside the cinema, accompanied by the films he reviews every night.

Bruna is a young and beautiful actress in the making who has just separated from her boyfriend and is going through a period of deep melancholy. A late encounter with her ex gives her the strength to turn her experience into a play in which life and fiction intermingle.

Damiana is a married couple who, on a visit to Cambodia, are shaken by the revelation that the woman (Laura Nevole), sick with terminal cancer, makes to her husband (Juan José Vidal): she She lived in that country in the past, fell in love with a Khmer and had a child with him, something that her current partner was completely unaware of.

Paula has never met her mother, her father is already old, and that meeting is urgent for her. Along the way, she picks up clues that bring her closer and take her farther away from her goal, in a physical journey through Buenos Aires’ geography.

For many years, director Fernando Spiner and his friend, the poet Anibal Zaldívar, share the ritual of swimming out to a buoy in the sea by the beaches of Villa Gesell. And, on this occasion recorded by the film, this ritual takes on new meaning: Spiner explores the deep bond between them.

A family returns to the house under construction that they abandoned after the father's untimely death. The return coincides with the anniversary of their loss and turns the day into an intimate tribute to their shared life.