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Shirley Clarke

Shirley Clarke

Directing

Biography

A major figure of the American avant garde, Shirley Brimberg Clarke (1919-1997) was born into privilege as the daughter of Polish-Jewish immigrants who made their fortune in manufacturing. Rebelling against a repressive bourgeois upbringing, Clarke turned first to dance, and later film and video, to express her distinctive vision of the world. Moving freely across genres and media throughout her career (and often within a single work), Clarke’s cinema explores the porous boundaries between narrative and documentary filmmaking, and film and other media, such as painting, dance, performance and video. Her 1960s features The Connection (1961), The Cool World (1963) and Portrait of Jason (1967), for which she is arguably best remembered, address issues of urban alienation, poverty, addiction and racism, focusing on lives lived at the margins of American society. Fearless in both her personal and creative life, Clarke produced a body of work that is as formally innovative as it is rooted in social protest. Clarke initially trained as a dancer, immersing herself in New York’s vibrant post-war avant-garde dance scene. Although her dance career never quite earned her the critical acclaim she’d hoped for, it had a lasting impact on her subsequent filmmaking and video work, informing an interest in how movement is recorded formally, while introducing her to key avant-garde dancers and choreographers. Source: https://denniscooperblog.com/shirley-clarke-day-2/

Known For

Underground New York

A rare behind-the-scenes view of the exploding New York “underground” in the late sixities, a turbulent time and place that was to change American culture forever. A German TV crew, led by journalist Gideon Bachmann, explores the epicenter of the sixties revolution in art, music, poetry and film and interviews the main players in the “New American Cinema,” that was born on the streets of New York. Against a backdrop of cultural upheaval in all of the arts and growing political agitation against the Vietnam War, Bachman interviews the most prominent figures in “underground film,” including Jonas Mekas, Shirley Clarke, the Kuchar Brothers and Bruce Connor, and visits the most notorious location in the New York art world of the era - Andy Warhol’s Factory - to conduct an interview with the genius of Pop Art himself.

Underground New York

1968Movie