Walter Lendrich

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Staatsanwalt hat das Wort was an East German television series.

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The film concentrates on the last days of the German navy during World War II.

Blaulicht is a German crime television drama series, whose 29 episodes were based on crime case files.

This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.

Magdalena and Michael have loved each other since they were children. But when the Nazis come to power, Michael rebels against the regime and is sentenced to fifteen years in a concentration camp. Magdalena, meanwhile, goes underground with the help of a friend and later immigrates to the Soviet Union. Michael, who has joined the Red Army, discovers on the way to Moscow that Magdalena is staying there. But when his plane lands, she is already on her way back to Germany. Michael hopes that one day, he and Magdalena will be reunited.

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This East German movie was co-produced with studios in Hungary and Yugoslavia, with many interesting location shots (border checkpoint to West Berlin, the Gellert bath in Budapest, and more). The plot is about French drug dealers, who obtain heroin somewhere in the Middle East, and smuggle it in several steps to East Berlin, and from there to France (or so it appears), killing when necessary. The hero is an officer of East German customs, who with detective work, some masquerade, and occasional violent action ultimately unravels the whole network, of course with the support of the local customs departments.

Screen adaptation of Eichendorff's famous novella. A penniless drifter roams the land with his violin and preferably sings his songs to beautiful women. Two of his female admirers get him employed as a gardener at a castle. Yet he doesn't settle down for long, and moves on to his next temporary job as a customs officer. Finally, he travels to Italy where he joins the gang of Rinaldo Rinaldini and eventually meets the love of his life.

In 1914 Berlin, bank heiress Leonore Wahl and struggling Munich student Werner Bertin fall passionately in love, defying class and her parents’ expectations. Their idyll is shattered by the outbreak of WWI: Werner, swept up in patriotic fervor, is conscripted to the Western Front, while Leonore, pregnant and abandoned, faces her family’s condemnation and a clandestine abortion. Set against the tumult of war, the film explores idealism, social divides, and the personal costs of duty and desire.

Ralph grows up in pre-war Dresden as the eldest son of a principled and orderly streetcar conductor. With the rise to power of the Nazis, the war, the collapse and the hesitant new beginning, his firmly established middle-class world is also thrown off course. His father is one of the first to be called up to the front. His mother is left alone with the responsibility for Ralph and his younger brother Achim. In the air-raid shelter, during the nights of bombing and later in the daily struggle against misery and hunger, the mother quickly abandons all moral baggage and develops a pragmatic will to survive, for which she admires Ralph. At the same time, the boy is frightened by his mother's desperate claim to happiness because he perceives her affairs as a betrayal of his father, who has gradually faded into a symbol of a happy, carefree childhood.

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.

A warship returning from a training exercise was tasked with apprehending an unknown schooner that had violated GDR territorial waters. Although nothing illegal was found during the search of the ship, the ship's commander Fischer was suspicious of the owner of the schooner, Arendt, a former lieutenant of a Nazi coastal battery. Fischer's doubts were confirmed when a diver came aboard the schooner and photographed a military object underwater. The investigation showed that the detained schooner was on a sabotage mission, and the "activities" of Arendt, a former Gestapo Obersturmführer, were also revealed.

Sister Agnes helps in all situations and does not only make friends. She has just fallen out with the new mayor. The consequences leave an entire community upside down.

Four-part miniseries about the theologian Thomas Müntzer, who became a revolutionary and opponent of Luther during the Peasant War in 1525.

Susanne is a young single mother who lives a somewhat "carefree" lifestyle. After quitting her job, she finds herself in trouble financially and attempts a minor insurance fraud to make ends meet. Despite its rare view of everyday socialism from a woman's perspective, East German officials were critical of this frank portrayal of a less-than-ideal socialist citizen and turned down all invitations for the film to be screened abroad.

It is the 65th birthday of Wilhelm Lehmann, foreman of a chemical company. All members of the large family are expected. Preparations are also being made in the company: Wilhelm is to be awarded the »Labor banner« and, as every year, the sons are responsible for the may bowl. But instead of family members, telegrams with rejections flutter into the house.

Kemmel, a sculptor with a troubled nature, wonders, as he approaches his fortieth birthday, whether he has created any truly significant work.

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