Pavel Štingl

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The history of one idea with monstrous consequences, presented in the style of old newsreels and interspersed with quotes from Patrik Ouředník’s Europeana. Archival footage is combined with animation as a kindly narrator takes us on a journey from the idea of cultivating a “better human race” all the way to the gas chambers.

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On November 25, 1940, the SS Patria sank in the port of Haifa killing 267 people. The ship was carrying almost 1,800 Jewish refugees from Nazi-occupied Europe whom the British authorities were deporting from Mandatory Palestine to Mauritius because they lacked entry permits. Opposed to the deportation, the Haganah planted a bomb intended to disable the ship to prevent it from leaving Haifa. However, they miscalculated the effects of the explosion and the bomb sank the ship in less than 16 minutes (Dir. Pavel Štingl, 2006, 45 min.). Pavel Stingl an award winning documentary filmmaker studied at the Film and Television Academy of the Performing Arts in Prague (FAMU). The screening is part of the ongoing “Docs in Salute” film series presented by the Library of Congress in collaboration with the Embassy of the Czech Republic.

Bjørn Nørgaard and a team of Czech glass artists in the demanding process of creating a grave monument for Queen Margrethe and Prince Henrik of Denmark.

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A leading Czech chamber ensemble performs compositions by H. Krása, E. Schulhoff, and A. Dvořák on the occasion of a memorial event commemorating the deportation of Jews from Prague's Holešovice railway station, Praha Bubny, during World War II... The Memorial of Silence is a project that has been in development for several years at the Praha Bubny railway station. This place of remembrance, which witnessed the deportation of nearly 50,000 Prague citizens of Jewish origin, is thus awakening to new significance. In addition to developing a project to convert the railway station into a place of remembrance, an educational and communication center, the Memorial of Silence team has been preparing dozens of seasonal events for several years. Their aim is to find a language for public communication for a modern memorial that seeks to commemorate war stories and events without false pathos.

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1953 was a year of great sadness for Czechoslovak citizens. Obligatory mourning intervened in their lives after the deaths of Stalin and Gottwald. Their grief was sincere because of the currency reform, which ruined their lifelong savings. In retrospect, 1953 was the height of social despair.