Signe Birkova

New performers have recently moved into the 130-year-old building of the Riga Circus. Having built a stage in the stables, actors Ance, Āris, Klāvs, Reinis and the other members of the theatre company Kvadrifrons are reinvigorating and preserving the tradition of live art in the circus. The name of the group is an acronym in Latvian that conveys their ethos: they are an organisation that can chill with their friends, have bursts of amazing creativity, and whose members are far from unintelligent. And all the while, the strong smell of elephants wafts through the building. Here and there, the life of the previous inhabitants makes itself known. Soon shamanistic rituals alternate with clowning around, fortune-telling with illusion juggling, stagecraft with personal choices. Then suddenly, out of Nothing… emerges Theatre.

As the world of opera begins to shift its rules, Elīna Garanča stands at the peak of her career, already starting to plan how to bring it to a close—while also continuing in new ways. Her talent, self-discipline, and strong character won’t allow her to stop, driving her instead to pursue an unfulfilled dream: to become a dramatic theatre actress.

Alice von Trota returns to her father’s manor in Latvia in 1919 to sell it and start a new life. She meets the hostile resistance of the local workers and discovers she has been lured into a carefully tailored trap set by a demonic lawyer, a decadent underground organisation and its necrophile leader. While escaping the clutches of her “helpers”, she meets some silent-cinema enthusiasts and learns to use the cinematograph as a tool for healing and self-discovery, as a weapon against her enemies and as a way to create a masterpiece.

Lonely, 45 year-old worker Kasandra has just received a lethal diagnosis from her doctor. She goes to her high school reunion, confused, and is faced with phantasmagorical events that completely shatter her daily routine. Kasandra flees from the city. In the forest, she is engulfed by a river and brought to a secluded sea shore. Alone and over time Kasandra experiences an unusual healing and rebirth.

Kārlis accidentally hits Kiril with a car and breaks Kiril’s bike. The damage must be fixed so both of them go to the repair shop, but the major master of it can’t be found. One event leads to another, one person introduces the next. The guys wander through the grey yet bustling Riga, capturing the noises, melodies and words that merge into a city’s symphony. Amidst traffic jams, the slush of melting snow, and improvised music-jams, a new, unconditional friendship is made.

Vārdotājas (Wordsmiths) traces the recent rise of women's stand-up comedy in Latvia, but it is by no means just for laughs. Feelings of discomfort, shame, shock, are just some of the subjects tackled.

A couple that does not fit into society’s accepted norms regarding women and men. Routine problems of everyday life that tend to take on immeasurable amplitudes push the film’s leads into a most intimate confinement, one in which thoughts and the answers to problems lead to dreams.

Harry Berzins is abducted by aliens. Traumatic experience gained is on a foreign planet, where the gray race rules and makes Berzins feel excluded. The only creature he believes is the odd Ufologist Vilma Kavace. While Vilma uses Berzins as an alien attraction bait, his mother, impregnated with a Latvian sperm on another planet, carries his child. Shieet.

Trains and railroad tracks are the unifying elements in this found footage film made out of fragments from feature films produced in Latvia from 1958 to 1989. It’s a cinematic journey into the world of dreams, filled with memories, desires, and the incessant quest for the ever-elusive happiness. The trains have played an important role in the history of cinema. A lot of interesting phenomena are linked with trains – locomotion, changes, an opportunity to think, dynamics, force, sense of something important… It helps to cross the usual boundaries.

A brutal force interrupts the cowboy's journey to the city. In a state of unconsciousness, his consciousness is confronted with his subconscious, and the cowboy undergoes a painful ritual of self-purification.

A female ninja tries to break ties with her spiritual teacher. The seemingly unexpected and humiliating death of her teacher is only the beginning of this process; it is a decisive step in her life. The action takes place in a specific environment, and the characters, references, symbols, and movements are directly related to the history of cinema, more specifically, to Japanese ninja films made in the 1930s–1960s.

Alma is a middle-aged woman working for a transport logistics company. She lives a well-ordered life and puts all her creativity into cleaning her house and decorating her fish tank. One day she wakes up from a vision-like dream about a flying girl. Then everything goes wrong.

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