Paul Heidemann

Adaptation of a popular comedy: When the country uncle he has been bilking comes to town to visit, a young student takes him to a boarding house full of exaggerated eccentric characters.

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Theo Müller and his family inherit a vintage car that turns out to have a wayward mind of its own, fixing the family troubles and some romances with a series of guardian angel and/or matchmaking shenanigans.

While on tour somewhere in Italy, a famous German pop singer loses his voice. All tickets for the concerts have long been sold out. Someone from the "Star's" entourage finds a young local guy who used to walk around the city singing in a very similar voice. From then on, the pop star stood on stage in front of the microphone, only opening his mouth, while the unknown street singer sang for him, standing in front of the microphone behind the scenes. At the end of the film, the star's voice returns, and he begins to sing solo and in a duet with the young singer.

Berlin 1849: The democrat Adolf Glasbrenner, known as Brennglas, publishes the political satire magazine "Phosphor" on a shoestring budget. He plans to marry his lover, the actress Adele Peroni. But the plan comes to a standstill when Adele is to make a guest appearance at the reactionary Royal Prussian Playhouse. A democratic journalist marrying a court actress? Impossible! Together with his friend Pulecke, Brennglas tries to disrupt Adele's performance with a bachelor party...

An emancipated Princess, who has just returned home to her court in the Balkans from England, goes in disguise to a servants’ bal and falls in love with an alleged caterer, who turns out next day to be a lieutenant of the guard. Without letting on to her masquerade, she makes sure he climbs the ranks quickly. At the same time, she tries to thwart her engagement to an unpopular prince.

Gottfried Jonathan, a small civil servant, lives as a lodger and is roommates with the blonde Käthe. Although she tries very hard, she can’t find a job and can no longer afford her rent of 40 marks. Jonathan secretly loves Käthe and decides to raise the necessary money for her.

This is a real curiosity; at best a reasonable film, but also a charming little gem. There is a story (in the line of "A Star is Born"), but this merely serves as an excuse, as it is more importantly a kind of moving encyclopedia of about 35 stars making their debut in a talkie (although some of them had already made one talkie), of the technical sound possibilities and of film making. Besides all that, it is entertaining and sometimes hilarious and it has fine one-liners that split my side. The film is also remarkable for making mock of typical German film genres (like the overly sweet romances involving the military), of too heavy acting and of film making in general. I have to mention this one: a short, hysterically funny parody of "Der blaue Engel". What this film in fact says is: do not take any film too seriously. (J. Steed)

A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.

At the last performance of the Barszony Circus in Hamburg, the Indian lion-tamer Sikkim Khan is attacked by a tiger and is badly wounded. That he got away with his life at all is due to the quick action of the circus director's daughter, Tamara, who shoots the tiger. From that point on, Tamara appears as "Sikkim Khan" and the "Diamond King" van Houten falls in love with her. On a ship of the South American Line, they meet and get to know each other better. When an emerald worth half a million is stolen, Tamara declares herself to be the thief, so as to protect an old colleague of her father, who wants to save the circus with the money from the stolen jewel.

When Ilona visits her married friend Otti, she is just delighted to discover that the man she likes is not other than Otti's brother-in-law, Paul. As he is in need of a maid, she disguises herself as such to try to enamour him.

On a train's way to the Italian Alps, the jewelry of a wealthy young widow is stolen and a military veteran working as a waiter is the first to come under suspicion.

August Pipin is a very reliable and loyal cashier who is always level-headed, no matter which trouble faces him. One day that suddenly changes and a fiasco breaks loose.

Musician Eduard Boeckel wants to settle down and marries laundry owner Lisbeth Timm. He brings his friend August Garfs into the marriage, and the housekeeper Alwine quickly sets her sights on him. In his new position, Boeckel invents a laundry detergent with unfortunately disastrous consequences: the laundry becomes brittle, and the first major marital spat ensues. Eduard flees to his fellow musicians, gets drunk, and seeks solace with Alwine. When she drives him away, he returns contritely to his wife, who forgives him. And now she also knows what is truly wrong with their marriage: her Eduard misses his profession. From now on, he makes music, and she does the laundry.

In Vienna, Anna von Ziska is the beautiful daughter of an upper-class family that has lost its wealth. Prince Augusto notices her in a chance encounter and immediately falls in love with her. Anna, however, is unapproachable and would have remained so had it not been for her parents' plight. She at first suspects that the prince sees in her simply another one of his many affairs. Though she will have none of this, she does see in him an opportunity to help her parents. Consequently, she proposes to play the role of the prince's mistress in public for his esteem, but in private to remain platonic.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

Trying to impress his wife, a newly-wed office clerk makes up a story about being promoted to manager of a record-company.

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In two fictional states bureaucracy and political intrigue provoke social unrest. Beppo learns that his nation's president is his twin. Mistaken identities lead to comical chaos as the twins propose a treaty that will benefit both nations.

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