Jeremy Ngatho Cole

The night before her son Dee Dee’s seventh birthday, an unexpected intruder crash-lands into Grace’s kitchen. As she discovers who the intruder, Grace must decide how to protect her son while navigating the complexities of Black parenthood in modern Britain.

They called it young black kids’ punk rock - a genre that radio stations wouldn’t play and records that labels refused to sell. But grime would not be stopped. With machine-gun lyrics that shred the eardrums and syncopated electronics that pound the chest like a sledgehammer, grime was a product of social unrest, urban culture and disenfranchised youth colliding in early 2000s UK. It didn’t just rouse a grassroots audience, however. Today, grime is surging in popularity all over the globe and widely influencing the music charts. This is the story of the genre’s roots.

Having ascended to the throne of British hip-hop, Little Simz opens the door to new influences on Lotus, her raw and intimate sixth album, which she presents in Passengers at the Atelier des Lumières.