Ayman Zeidan

A modern classic of Arab television. A social drama set in the 1920s in Damascus- It highlights Damascene life, noble values, and ancient customs and traditions represented by the people of Harat al-Dabeh who fled to Harat al-Salihiyah after the French bombed Harat al-Dabeh. The events take place after the gold is stolen from the house of the cloth merchant Abu Ibrahim, and the guard Abu al-Samu is killed. The men of the neighborhood try to find the thief.

It follows two brothers, Amir and Wissam, who are separated by fate in childhood. Amir grows up to become a police officer and is assigned to infiltrate a powerful criminal gang as part of a covert operation. Unbeknownst to him, Wissam—who was kidnapped years earlier—has grown up within the same organisation. As their paths unknowingly cross, the brothers find themselves on opposite sides of the law, with their fates deeply and dangerously intertwined.

The most expensive Arabic series ever made, chronicling the life of Muawiya ibn Abi Sufyan — from his early opposition to Islam, to his conversion, governorship of Syria, and ultimate founding of the Umayyad Caliphate. Spanning civil war, conquest, and political intrigue across the early Islamic world, this sweeping epic covers one of history's most controversial and consequential rulers.

This series tells the story of the sheikh of an Arab tribe named Ibn al-Wahaj, who is one of the noblest and most honorable Arabs, and has three sons called al-Bashiq and Osama and the youngest Aqab. There was in the tribe of Ibn al-Wahhaj there is a man who hated him and his sons, so he submitted to the sage of the tribe and the author of the narrations in it (Ibn al-Rumiyya), and he asked him to test the ability of the sons of Ibn al-Wahhaj to live outside their father's tribe, so the idea entered his head and he decided to send his three sons to unknown destinations, and said to them: I want you to be the raptors that live in a land that is not its land. So they set off, and Osama went to the north, Al-Bashiq to the south, and Aqab went to the east

The story of Jamil Al-Homsi, who is shy around women, which explains his wife Hanaa's lack of jealousy. This drives him to invent many ways to make her jealous and force her to pay more attention to him, which gets him into many comedic situations.

A journalist working in the same newspaper as her husband, and intellectual conflict arises between them because of the differences between the nature of men and women. The series shows the relationship between the spouses, revealing many attitudes of the “Eastern Man”.

Amidst an intense political battle for power and social dominance in a Damascene neighbourhood under French rule, a young aspiring actress gets the opportunity of a lifetime to star in the first film ever made in Syria.

Mukhtar is one of the most skilled artisans in the creation of mosaics; however, he encounters a number of financial difficulties and personal problems with his sisters, ex-wife, and daughter. Meanwhile, Hashem tries to catch a prostitution ring that thinks that it is above the law.

The series follows the rupture of Andalusia into many warring states, which allowed the northern Kingdom of Castile to expand its borders and take control.

In one of the slums, a group of intertwined stories revolve around residents whose movement may extend outside this neighborhood due to work or study, and their fates intersect with the paths of some characters from other neighborhoods of the city.

The series revolves around a poor man who wants to get rich. As he has a dream that he has found a treasure, his social status changes as he goes out every night to abandoned areas and begins digging and goes home by day to rest.

The work deals with a stage in the history of Syrian society between 1915 to 1926, which is the time of the Ottomans' exit from Damascus and the French occupation of Syria, and presents the conditions of Syrian society at that time until the Great Syrian Revolution

AlDaghari is a Syrian social comedy series, based on the story of Turkish writer Aziz Nesin, produced by Syrian Arab Television in 1992, directed by Haitham Haqqi. It tells the story of a fraudulent person who exploits the gullibility of the villagers.

This Syrian drama series takes place before the crisis in Syria, focusing on two aristocratic families who appear to love and understand each other. In reality, however, there is a hidden conflict lurking beneath this facade.

The series focuses on the social, economic, and religious life of Arab and Jewish people during the time of Muhammad. It details a perceived notion of the Jewish community's characteristics and their perceived hostility towards other groups. The series concentrates on the battle along Islamic and Jewish business interests in and around the Arabian Peninsula and against an alliance of Polytheists and the Muslim Front Business Interests, which ended with a victory by the Muslim business interests.

They fell in love despite their differences and contradictions, and they were ready to move forward towards their destiny and ready to give everything they had in order to be together, even if this cost them to leave their lives and families behind.

The events take place in the 1940s, after Nouri leaves prison, a major conflict arises between him and Abu Adnan, coinciding with the assassination of the doctor, Abdul Rahman Al Shahbandar.

The events revolve around the cruel and tyrannical Abu Nadhir, who seeks to control the lives of his family members without any regard for the psychological pain he causes them, while it becomes clear that there are secrets in his life and his past returns to haunt him.

In an all-star production, Saad is raised as an orphan, not knowing that the man who raised him had killed his father. When the truth unravels, an inner conflict arises. A story of revenge that's filled with suspense in each episode.

The events revolve around social relations that are built on love and affection, through a love story between two people that doesn't work out due to the excessive ambition of one of them, which makes the other refuse to continue the relationship, despite how much they love each other.