Ayman Reda

Sama is a working-class waitress who agrees to an outrageous deal — make the cold, wealthy shoe designer Malek fall in love with her and marry her, in exchange for the money to pay off her brother's debt. What starts as calculated deception quickly becomes something neither of them planned for. A warm, breezy Arabic romantic comedy starring Syrian leads Moatasem Al-Nahar and Nour Ali — a Shahid #1 hit across the Arab world in 2024.

It follows two brothers, Amir and Wissam, who are separated by fate in childhood. Amir grows up to become a police officer and is assigned to infiltrate a powerful criminal gang as part of a covert operation. Unbeknownst to him, Wissam—who was kidnapped years earlier—has grown up within the same organisation. As their paths unknowingly cross, the brothers find themselves on opposite sides of the law, with their fates deeply and dangerously intertwined.

A Syrian social drama series that sheds light on a neighborhood in one of the slums in the vicinity of Damascus, around a poor family consisting of a mother and her four children, who strive to meet their needs and achieve their ambitions with the tools available to them, while focusing on solving future problems at the time, leaving them to chance, luck, mischief, whim, or influence.

The series goes into details of the events that Syria went through between the years 1955-1959, including the tripartite aggression against Egypt in 1956, the establishment of unity between Syria and Egypt, and the revolution against the monarchy in Iraq, through the Qishani neighborhood, where its people work as merchants, lawyers, doctors, intellectuals and other works.

Abu Janti — self-proclaimed "King of the Lancer" — is a Damascus taxi driver whose cab doubles as a confessional, comedy club and social mirror. Each episode brings a new passenger with a new story, and Abu Janti can't help but get involved. Written by and starring Samer El Masri, born from a beloved sketch on Spotlight (2003), this Syrian black comedy uses the taxi as a window into everyday Damascus life — funny, sharp and occasionally heartbreaking.

The story of Nassar Ibn Oraibi, a fighter against injustice, that sheds light on the life in the Damascus neighborhood and the role of one woman who becomes responsible for the house and her four daughters in light of her husband's absence during the Hajj.

The story of Jamil Al-Homsi, who is shy around women, which explains his wife Hanaa's lack of jealousy. This drives him to invent many ways to make her jealous and force her to pay more attention to him, which gets him into many comedic situations.

A journalist working in the same newspaper as her husband, and intellectual conflict arises between them because of the differences between the nature of men and women. The series shows the relationship between the spouses, revealing many attitudes of the “Eastern Man”.

The series discusses the living conditions of middle-class families by presenting the daily lives of a group of educated characters looking for job opportunities and self-fulfillment in the capital, Damascus, and it deals with the relationships between spouses, siblings, friends, and lovers, as well as between parents and children.

Nader is lost between his parents, who are experiencing a struggle between love and hate, Lulia, who is persecuted by her stepmother, Dalal, whose hatred for her stepdaughter reaches the point of attempting murder. Dalal considers Lulia the reason for her unhappiness, but when Lulia leaves her life, she discovers her mistake. Tahseen her husband can only run away from problems and cannot solve any of them.

A Syrian family — warm, funny and profoundly ordinary — finds itself facing the impossible choice millions of Syrians faced: stay in a home torn apart by war, or pack up everything and leave. They choose to go. But the road out proves just as punishing as what they left behind, with each episode delivering a new obstacle, a new heartbreak and a new reason to laugh through the tears. From the creator of Lost Village — tragicomedy at its most human.

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The series revolves around a poor man who wants to get rich. As he has a dream that he has found a treasure, his social status changes as he goes out every night to abandoned areas and begins digging and goes home by day to rest.

In which dramatic events are mixed with funny comedy, the main character "Marzouk" is a man who always cares about the concerns of others and tries to find solutions for them just because he knows that this is one of the duties of the respectable man, as he tries to solve the problems of neighbors and relatives, but he often falls into serious problems because of that, until personal problems occur.

A separate connected series, as each episode is divided into two stories revolving around one topic, between the businessman Amjad and his wife Safaa, and the middle class married couple Adnan and...Read more

The series follows a group of refugees who escape the bloody nightmare that is post-revolution Syria as they try to make some tents in a park into a home.

Spotlight, a Syrian social series, presents separate stories in various drama and comedy episodes of public life, and critically sheds light on political differences in Syria. The series has been airing since 2001 and consists of 15 parts

The series deals with the life of the simple man, Abu Al-Hana, who is constantly exposed to unenviable situations, and grows when he begins to search for solutions to them, for he is a simple and kind-hearted person, but he has self-confidence that makes his wife Umm al-Khair always obey him, and he is a ninth-degree employee in a government department.

During the period of the French occupation of Syria, the events of the series revolve around As'ad AlWarraq, an orphan, illiterate, poor young man who is pushed by circumstances between various paradoxes, between false accusations and the injustice of his neighborhood people towards him.

Continuing the events of the previous parts, the series deals with the story of a large family whose members live in one house, and events escalate when Afif plots to seize all the family property, so the rest of the family looks for a solution in a funny and comedic context.