Sophia Feuer

Fourteen year old JoJo has a sleepwalking episode that leaves her haunted and determined to solve its mystery.

Concerning three groups of children from disparate upbringings, A Black Hole is a Black Hole in the Ground intimately depicts the strange, ephemeral realities that arise on evenings of play, when dimensions of space and time, not fully cemented by adulthood, begin to dissolve. Parking lots, hen houses, and brownstone apartments become the dwellings of many strange creatures; coyotes are rendered forest spirits, neighbors as martians, and night crawlers as flesh-eating meteorite worms. Employing sci-fi, documentary and ethnography techniques, a state of mind particular to early youth is sublimated - weight is lent to shadows as vast as space, ripe with discoveries both minuscule and immense.

Due to mysterious circumstances, two sisters are left with an estranged relative in a rural town that seems out of place, out of time, and full of unspoken secrets. Part fiction, part documentary, the story intertwines itself into the real history of the Elmira Flood of 1978, recounted by those who lived it and continue to experience its effects to this day.

Based on the performance manifesto, Your Healing is Killing Me, by Virginia Grise, Bryant and Livingston's video was produced as part of the workshop in the 2018 ImageTextImage program.

Elizabeth, ten years old, lives with her reclusive mother in a dilapidated apartment where fish infest the piping, surfacing by way of a drain in the bathtub.

After 30 years of homelessness and busking, 71-year-old musician Susan Schneider (otherwise known as “The Space Lady”) is beginning to receive notoriety for her early contributions to electronic pop music, largely thanks to online word of mouth. Sophia Feuer’s film brings to light sensory, observational details from The Space Lady’s present life in rural Colorado—namely, her struggle to reclaim the music from the pain that encompasses it—while reflecting on her past.