Julia Solomonoff

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

As her marriage dissolves, a Manhattan writer takes driving lessons from a Sikh instructor with marriage troubles of his own. In each other's company they find the courage to get back on the road and the strength to take the wheel.

After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.

Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.

The trajectory of a romantic couple of contemporary artists reveals how the limits, contradictions and obsessions of a romantic relationship are reflected in each of their artistic endeavors.

In a remote South American colony in the late 18th century, officer Zama of the Spanish crown waits in vain for a transfer to a more prestigious location. He suffers small humiliations and petty politicking as he increasingly succumbs to lust and paranoia.

Pedro, a humble beekeeper who lives in the mysterious Argentinian region of the Delta del Tigre, travels to Buenos Aires to visit his twin brother Agustín, a successful but troubled pediatrician with marital issues, to give him bad news and ask him for a favor hard to fulfill, a unexpected arrival which will change Agustín's life forever.

Argentinian sisters Elena and Natalia, who were separated, meet again in Texas in 1984.

Three people and a baby set off on separate journeys, along the same road; their disparate dreams and stories intertwine amidst the breathtaking deserted Patagonic route.

A group of friends, who resisted the military dictatorship, and their children will face the conflict between the daily life of today and the past when one of them is dying.

Young Jorgelina feels estranged from her boy-crazy older sister, who has entered adolescence and doesn't want to hang around with little kids anymore. Finding refuge in their Boyita camper-van, Jorgelina travels with her father to the countryside, where her lifelong playmate Mario is undergoing some unexpected changes.

Each citizen of Jotuomba plays an integral role in village life. Madalena is responsible for baking bread; each morning she stacks her rolls as Antonio prepares the coffee. The two share a morning ritual of arguments and insults, followed by an amicable cup of coffee on the bench outside Antonio's shop. At midday the church bells ring, summoning the villagers to mass. In the early evening, they all share a meal together. And so life proceeds in Jotuomba, the days languidly drifting into one another; the only variations seem to be in the weather. But, one day Rita arrives looking for a place to stay.

The year 2023 marks the 35th anniversary of the association La Mujer y el Cine, and 43 female directors have come together to deliver a fragment of their gaze, a frame, an aesthetic and ethical decision, a tribute to women who anticipated the struggle. A leap into the void made by women filmmakers of different ages and backgrounds. United, in a sort of electronic loom, as an offering and a legacy in which a moment in the history of Argentine cinema is told, where we were all one, with our eyes on the past, our gaze on the present and the horizon full of the future.

Based on the poetry of Alejandra Pizarnik, ”Vertigo, or contemplation of something that falls”, tells the story of the writer's life through stories from her family, friends and admirers.

The Sixth Year is an art world drama series in five episodes, which re-interprets the format of the TV series. Set in the New York art world, it stages the backstage and theatricalizes the social interactions and power games, the aspirations, passions, and everyday realities of the field. The screenplay is based on interviews with artists, curators, gallerists, collectors, and art advisors, whose opinions, anecdotes, and gossip it abstracts and extrapolates into a fictional narrative.

Tensions rise when a doctor (Daniel Veronese) pressures his teenage son to follow in his footsteps.

ZAMA (2017, Lucrecia Martel) didn’t come alone. It brought with her a shooting journal written by Selva Almada –El mono en el remolino– and this documentary by Manuel Abramovich, who, as a sound intruder, captured the meticulous work of the director from Salta and the warm, human, joyful precision.

Peter, a young German, enters a suburban Buenos Aires restaurant; seeking only directions, he instead accidentally ends up with a plate smashing into his head, thrown by the irritable Olinda, the 60 year-old Italian immigrant owner of the restaurant. The two develop a friendship once they discover that the reasons for their having moved to Argentina are strikingly similar.

A woman goes on a daytime show to confront a famous music producer of sexual harassment, only to find him armed with the “perfect apology.”

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