Directing
Stian, 31, struggles with love, and has lowered his demands in that Department. Maybe a bit too much? It goes wrong with his awful girlfriend Stine, before he takes a long shot, to find his childhood flame, which he met in Umeå.
Gina who is about to get married, when her friends “kidnap” her for a last all-out bachelorette party. Dressed in red latex and all on her own in the Norwegian woods, Gina has to complete a creepy game of challenges. But what starts off as fun soon turns seriously weird, when disturbing events start occurring. Is it part of the planning – or is Gina about to lose her grip of reality?
On his way home from work, the main character has a chance meeting, which will forever change his life.
A bunch of friends meet after being at the cinema. AFTER THE FILM is a dialogue-driven film about a generation that is often bypassed in Norwegian film in general. Geir Grenis shorts tells intriguing stories with a hushed psychological insight into the human mind many labyrinths. A recurrent theme is often meta comments to our modern society yearning to become visible and be seen.
A cinematic comment for the young, superficial intellectuals parties in Oslo in the 1990s.
A pizza delivery boy must balance the needs of his sick mother, his mentally retarded friend, and the comatose girl of his dreams.
Two boys at a party. One has acquired a new chair and speaks passionately about this. Party evolves into a pure orgy, but the boys discuss chairs, undaunted by what happens at the party. Geir Grenis shorts tells intriguing stories with a hushed psychological insight into the human mind many labyrinths. A recurrent theme is often meta comments to our modern society yearning to become visible and be seen.
Music video with Super Family, about a boy who needs "taxi dancing" to get a taxi home after an unsuccessful tour of the city.
A young man runs seemingly uncontrollably around in an urban environment. The film has video game form of narrative style.
A tragicomic look at an evening in the life of the newly elected President of the Norwegian Esperanto Society and his nervous preparations for his first Annual General Meeting in this position. Not only must he cope with a defeated rival for his position, but his girlfriend is being followed by suitors and must keep her relationship with him a secret or risk their disaffection from the Society.
A young filmmaker wraps his body with his own script to set fire to it. A hasty note to film bureaucracy.
