Murugan Martin

Muthuvel Pandian, a retired, stern yet compassionate jailer lives a peaceful life with his family, but trouble knocks his door when his cop son’s tryst with an antique mafia gang goes awry and forces Muthu to step back into a dark world he had voluntarily took a break from.

Five years after becoming Chief Minister of Kerala, Jathin Ramdas' move to align with communal forces led by Balraj 'Baba' Bajrangi, triggers Stephen Nedumpally aka Khureshi Ab'raam to return with his Man Friday Zayed Masood to save his home state and settle scores.

In God's own country, the supreme leader of the ruling party dies, leaving a huge vacuum, not only in the electoral and leadership sphere of the party but also that of the state. In the inevitable succession squabble and the power struggle that ensues, the thin line that separates good and bad becomes irrecoverably blurred and out of this seemingly endless mayhem, emerge forces that are hitherto unheard of.

After being released from prison for a murder he did not commit, a man quickly learns that crime and injustice are still rife in his hometown.

A young wife hopes to convince her husband to change his short-tempered attitude toward life, but an incident on a remote highway may finally decide the matter.

Anil Anto, a TV operator moves to Kochi with his pregnant wife in order to start a new life. Here, post an unfortunate incident, Anil crosses paths with Darwin, a crime boss.

Malaikottai Vaaliban, an uncontested warrior proves himself to be a reigning hero across time and geographies, defeating every opponent he encounters. As Vaaliban continues his victorious journey along with his aids Chinnappaiyyan & Ayyanar meets Rangapattinam Rangarani, an ethereal dancer at a betting parlour in Nooraanathalayur. This is the moment that also invites Chamathakan, a villainous presence who will shadow Vaaliban through the rest of his journey. This group then proceed on journey with many twists and turns that leads Vaaliban to his ultimate challenge.

Six young friends in the small town of Angamaly tries their luck by starting a pork business lead by Vincent Pepe. They initially strike a business deal with Rajan and Ravi despite the duo having killed a close friend of theirs in a gang fight. Vincent is in love with Sakhi and plan to immigrate abroad with her. But their plans hit a road bump as the deal with the gangsters hits some road bumps.

Set against the backdrop of World War 2, the film spans over three different phases of the life of the protagonist Kammaran who gets inspired by freedom fighter Subhash Chandra Bose and joins INA to secure Indian independence from British rule.

Ahmed falls in love with Shadiya, whom he meets at a film festival, and they both elope after secretly getting married. When Ahmed's friends and brother learn about it, they search for the couple.

A smart Parish priest is highly respected and loved by the villagers until he gets locked up in a secret location by criminals for witnessing a murder

Adithattu denotes the 'lower strata in the society and the fishing community falls under this stratum. Adithattu will also explore the problems and livelihood of the fishermen community and will be a thriller subject.

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The story of Street Lights is based on the life of a Crime Branch police officer, James, who in his pursuit to solve a certain mystery, crosses path with several people and encounters various thrilling events. Will James succeed or fail in his mission and how will he react to the outcome, forms the crux.

The life of a father and son and their life experience when son tries to breakup with his lover.

A group of children living in a slum in the capital city found a bloody human head in abandoned condition. It belonged to someone very dear to those children. The children decided to keep the head as a secret for a short period, To find the truth.

Richter Scale 7.6 speaks about the universal theme of displacement. The story revolves around the lives of a father and son, and narrates the agonies and struggles the duo go through when they decide not to relocate when faced with displacement.