Sarah-Jane Dent

23-year-old Franky is a nurse who lives with her large family in an East London borough. Obsessed with a thirst for revenge and a need to assign guilt for a traumatic event that happened 15 years before, she is unable to build any meaningful relationship until she falls in love with one of her patients – Florence. They escape to the coast where Florence lives with her more open-minded patchwork family. There, Franky finds the emotional shelter to deal with the grudges of the past.

It’s Christmas and the charming city of York, home to Jules, 16, and her dad, David, is decked out ready for the festive season. In many ways, David and Jules’ relationship is no different from that of most fathers and their sixteen-year-old daughters. He struggles to understand her, she refuses to communicate with him. He wants to be involved in her life, she wants her own space. In one important respect, however, David and Jules share a profound bond: the death of Jules’ mum, and David’s wife, in a car crash two years before. With both struggling to cope with everyday life in the shadow of their loss, Jules, inspired by happy memories of her mum, decides to take matters into her own hands.

After his wife tragically dies, a desperate widowed husband finds a service online that can bring her back - but not all is as it seems.

Harriet Walter takes the lead in the second installment of the Donmar Shakespeare Trilogy directed by Phyllida Lloyd. Featuring a diverse company of women, this unique interpretation combines both parts of Shakespeare’s history plays about King Henry IV and his son Prince Hal.

The first installment of Phyllida Lloyd’s groundbreaking all-female Shakespeare Trilogy sees Harriet Walter take on the role of Brutus, who wrestles with his moral conscience over the murder of Julius Caesar.

Phyllida Lloyd’s final installment of the Donmar Shakespeare Trilogy concludes with an all-female version of The Tempest starring Harriet Walter as Prospero. This captivating reimagining explores themes of freedom and justice in the context of a women’s prison.