Viktor Nordenskiöld

When all other countries went into lockdown, the Swedish politicians and experts decided that Sweden would remain a more open society. The Swedish model for fighting Covid-19 in recent years has been discussed across the entire world, and its main figures have been the object of both hate campaigns and personality cults. Documentary filmmaker Viktor Nordenskiöld’s camera has followed the front figures of the crisis at conferences and everyday places. The result is a highly interested insight into the processes that have laid at the foundation of the controversial Swedish strategy, and how the medial and political pressure affected the decision-makers.

Incredible coverage of 4 years in the office of the Swedish foreign minister, Margot Wallström, known for her fearless feminist agenda and sharp, empathic mind. We witness her arduous negotiations with Saudi Arabia, Israel and South Korea, as well as a highly competitive campaign for a seat in the UNSC, followed by a crash course in keeping it cool in the face of death threats and intimidation.

Even as her nation battles for survival, Olha Stefanishyna, - a young minister - faces the monumental task of securing her country’s future in the EU, giving meaning to that very survival when peace returns.

Documentary about the theatre group Glada Hudik as they bring their musical about Elvis Presley to Stockholm for the first time.

One day, Sofi receives an unexpected call. An unknown brother makes himself known and Sofi realizes that the person she thought was her father is not at all. Sofi's newfound father Torbjörn turns out to have eight children and a retreat in India. While Sofi travels there, her mother Ann struggles with jealousy and guilt, and as a psychologist she tries to diagnose herself. Then follows a family drama where Ann, Sofi and Torbjörn clash and are forced to drill themselves into lies, denial and eventually perhaps even understanding. But what exactly is a lie? And can you miss a secret? In this dense documentary film by Viktor Nordenskiöld and Sofi Helleday, the viewer gets to witness up close the consequences of a 48-year-old secret for two families.

On July 11, 1897, three men - the Swedish engineer Salomon August Andrée and his companions Nils Strindberg and Knut Fraenkel - set off from Spitsbergen for the North Pole in a hydrogen balloon, a daring attempt to conquer the Arctic from the air. Contact is lost after a few days. They are never seen again. Thirty-three years later, on August 6, 1930, a sealing ship makes a chilling discovery on the remote Island of Kvitøya, the northernmost part of Svalbard. The expedition’s remains, bodies frozen in time beneath the snow, alongside journals and undeveloped film material. Ninety-three of the 240 recovered photographs are salvaged. The documentary reconstructs this expedition between delusion and vision, between scientific ambition and human vulnerability as a compelling mosaic of past and present – ​​an archaeological crime thriller about the price of discovery, the beauty of the unknown, and the melting of memory in the ice of time, with a touch of tragic, unrequited love.

At home, Rizwan 12, hugs and plays with his siblings. At work, he is forced to a claustrophobic job in an Industry that's key to our economy. Here at Pakistan's second largest oil depot, children crawl inside the dark interior of the diesel tanks - in spite of the extremely carcinogenic fumes. Out of This World follows Rizwan down through the hatch of the oil tank - like a kid astronaut from a forsaken universe.

For ten years, Viktor Nordenskjöld has followed Syrian teenagers Hazim and Said and their struggle to find a new home after fleeing across the sea to Europe in 2015. Said, paralyzed from an injury, is forced to leave his wheelchair along the way and is literally carried by Hazim toward a new life in Hamburg. The film traces how life gradually stabilizes for the friends: they learn German, attend school, and begin working. Over time, Said becomes increasingly independent, while Hazim confronts the realization that even the strong sometimes need someone to lean on.