Sławomir Grzymkowski

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

No description available.

The dark world of crime: murders, racketeering, drugs, kidnappings. There are no rules here. Working in this world makes cops cynical and ruthless. There is a fine line between them and criminals - will any of them cross it? The main characters are officers from the Department for Counteracting Criminal Terror and Homicides. The action of the series is an extension of the threads that appear in the feature film. It presents in a realistic way the brutal and dark world of crime that officers encounter on a daily basis. They're not just tracking down murderers. They fight racketeering, kidnapping, drug trafficking while struggling with their own day to day life and problems.

No description available.

No description available.

Sharkey, part of the sinister world of child trade, picks up Vlado, an orphan of war, dreaming of freedom and a better life. They embark upon a strange and enlightening journey through war torn Bosnia. As they struggle to get out of the country and fight to stay alive, they find a special love and compassion from which emerges their ultimate moral and spiritual redemption.

Cardinal Stefan Wyszynski's story sets the stage for the dramatic rise of Pope John Paul II and the fall of communism in Europe. Who is this prophetic man who battled evil and saw a son of Poland rising?

When her daughter is kidnapped by a suspect in a multiple murder case, a police officer must commit a crime to rescue her only child.

A romantic comedy set on Christmas Eve in Warsaw and centered around a series of characters.

Juliusz Słowacki’s drama “Balladyna” is one of the author’s most recognizable works. The television production was directed by Wojciech Adamczyk. The play, written in 1834, arose from a fascination with Slavic culture, and its plot was inspired by Shakespeare’s “A Midsummer Night’s Dream” and “Macbeth.” In his interpretation, Wojciech Adamczyk eschews the ludic elements, giving the story a darker character. The conflict centers on the relationship between two strong female characters: Balladyna and Goplana. Filled with lust, crime, and blood, it’s a story that rivals the emotional depth and richness of Game of Thrones or The Witcher. The world Słowacki describes is dark and dense with passion. The exotic landscape of European pagan mythologies is combined with early Christian aesthetics. Viewers accustomed to “school-style” interpretations of the play will be surprised by the poignantly contemporary vision of human fate in an original approach.

The film tells about the period of Polish history in the 20s of the last century, when the fragile government of the country fell, and a man of the people came to the fore. In fact, he turned out to be a cunning populist and an immoral politician, ready for any tricks for the sake of his goals.

Basia has already settled down in her life. She is a housewife and has a loving family. It seems as though she does not miss anything to be happy. Until a moment when an opera diva moves into an apartment upstairs. Basia is enchanted and seduced with her voice. A peculiar relationship is born between them. It develops into a feeling which is not particularly comfortable for either of the two women.

On an ordinary winter's day, various people from outside Warsaw come to the Polish capital city for different reasons. They all have something to deal with, and their paths eventually intertwine.

Anna – the mother of a 16-year-old Adaś, who is dying of cancer, is desperately trying to find Wiktor, an author of an internet blog. Wiktor maintains to have found a cure for cancer. Anna’s night journey through the real and virtual world ends with a shocking discovery. The film is based on the short story 'Płomyk za szybą' [Flame behind the Window] by Marcin Kaczmarek and corresponds to the tenth Commandment: 'You shall not covet your neighbour’s goods'.

The film tells about mainly three people - Max, a bored, smart, poor University Professor of Philosophy; Ramzes, a mafia leader, cool, strong, merciless bully and Stella, Ramzes girlfriend.

The school year begins at the European Social Secondary School. It will be special because the Nobel Prize winner, Olga Tokarczuk, is to come. It will be special, because high school student Adam and his friend from the Internet have a special plan for online broadcasting.

A one-man show is being made in a private apartment just for one viewer. Fiction impacts reality and the situation gets out of control.

Poland, 1982, the politically heated days of communist martial law. Two coal miner brothers react differently to the oppressive police state. While Tadek prefers to retreat into neutrality, Janek chooses active engagement in the democratic underground. When Janek asks Tadek to store some anti-government leaflets on the second anniversary of Solidarity's 1980 strikes, he triggers a spiral of events that will have everyone's allegiances and characters severely tested.

Agnes and Lucek take out a loan to buy an apartment. While paying it off, they grow further and further apart.

The historical events of September 1939 are used as a canvass for the plot and the emotional structure of the script. Its composition centers around the three stages of the defense of Warsaw, accompanied by the rhythm of the Polish Radio.