Tenille Bezerra

The memories of Guiga, from early childhood to young adulthood: his family, relatives, friends, fears, dreams and reality in a still provincial city of Salvador, Bahia, from the 50s to the 70s.

The film tells the saga of Guima, a young poet who believes he suffers from “solar ultra violence” during the hottest summer in 50 years in Salvador. The alleged disease is caused by the relentless heat that hits the city. Under the marginal eyes of Guima, in a mix of reality and fantasy, the film presents a tropical/chaotic Salvador, as opposed to the stereotypical city seen in postcards, on a journey of a search for a redemptive air conditioning that can rid this contemporary antihero of what suffocates his existence.

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A man and his struggle against the inevitable corrosion process of the flesh and his attempts to dominate it, postpone it, ignore it. He is a Post-Exu, a pré-cyborg that cuts through the city like a rock and roll radical note. Welcome to the other side, the one that should not be seen, the dark side, the inexplicable. Welcome to the Sarcophagus.

Component of the vocal trio “Os Tincoãs”, the singer and composer Mateus Aleluia developed his musical career between Brazil and Angola. Back in Brazil around the 2000s he retakes his artistic production in an acclaimed solo career. Following the process of composition of his second album, the documentary “Aleluia, The Infinite Song” addresses in the construction of the imagery around the artist’s life and work.

No description available.