Acting
Giovanni Venturini (São Paulo, October 31, 1991) is a Brazilian actor, clown, model and poet.
Cúmplices de um Resgate is a Brazilian children's musical telenovela produced by SBT and originally broadcast from August 3, 2015, to December 13, 2016. It is a remake of the Mexican telenovela Cómplices al rescate (2002), created by Rosy Ocampo. Adapted by Íris Abravanel, with direction by Reynaldo Boury, the telenovela stars Larissa Manoela, João Guilherme, Duda Nagle, and Juliana Baroni. The story follows Manuela and Isabela, twin sisters separated at birth who grow up in very different worlds. Manuela is a sweet and talented girl raised in a small town, while Isabela is a wealthy and spoiled young woman living in the city. After discovering each other's existence, they decide to switch places to uncover the truth about their past and face family secrets, conflicts, and challenges. Along the way, they find friendship, love, and the importance of family.
In this realistic and touching series told in an innovative format, seemingly independent plots intertwine to show how justice can sometimes be a personal matter.
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Téo, a solitary medical student burdened by the care of his paraplegic mother, becomes infatuated with Clarice, an aspiring screenwriter he meets at a barbecue. When she rejects his advances, he resorts to an extreme measure: drugging and kidnapping her. He forces Clarice—sedated and trapped as his passenger—on a road trip through the very locations she scripted in her screenplay, attempting to awaken her love through repetition and manipulation.
In Uberlândia in Brazil, Chico earns his living by repairing ovens, in which he enters easily thanks to his small size. Faced with the contempt of a system that relegates him to the ranks of the marginalized, he gradually enters into resistance.
Located at the intersection of disability and queerness, this documentary enriches, implicates, and breaks open the conversation around sexual life in the disabled community. This film does not shy away from the complexities and challenges of queer life, but rather embraces them and in doing so, illuminates how they impact one another and bring new dimensionality to the position of the body within them. Resisting a normative lens, this filmmaker uses the observational power of the camera to document the raw sexuality, fantasies, and erotic expressions of a wide array of subjects with rare candor and vulnerability. Embodied sexual explorations are balanced against interviews that in their frankness and insightfulness criticize and deepen the lacking conversation around this intersection in the wider discourse.
Vicentina struggles to cope with the death of her son Wesley after a tragic bus accident, in which he was the driver. As the investigation unfolds, evidence suggests that Wesley’s actions may have been suicidal. Vicentina then embarks on a journey to seek out the victims’ families and apologize, while confronting her own grief and uncertainty.
Neide recently separated from her husband and wants to make the most of her single life. Hindered by her youngest son, she decides to set him up with one of her employees by hook or by crook
Reencountering the only man she ever loved is Gringa’s dream. She is the owner of a brothel in the interior of Brazil and even though she is blind and very sick, she insists on fulfilling her last wish: to go to Venice to apologize to the lover she abandoned decades ago. To take her to the Italian city, Tonho, Rita and the other girls who work for Gringa come up with a fantastic plan with help from a circus troupe.
A vampire pretends to be a hooker on Augusta St., in São Paulo, to feed on her victims, until she comes across a monster that attacks at the same address.
